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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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284 | HOW THE MIND WORKSobjects sewed up <strong>the</strong> case: <strong>the</strong> brain rotates shapes around anoptimal axis in three dimensions, but no more than three dimensions.Mental rotation is clearly one of <strong>the</strong> tricks behind our ability to recognizeobjects.Mental rotation is ano<strong>the</strong>r talent of our gifted visual systems, with aspecial twist. It does not merely analyze <strong>the</strong> contours coming in from <strong>the</strong>world, but creates some its own in <strong>the</strong> form of a ghostly moving image.This brings us to a final topic in <strong>the</strong> psychology of vision.IMAGINE THAT!What shape are a beagle's ears? <strong>How</strong> many windows are in your livingroom? What's darker, a Christmas tree or a frozen pea? What's larger,a guinea pig or a gerbil? Does a lobster have a mouth? When a personstands up straight, is her navel above her wrist? If <strong>the</strong> letter D is turnedon its back and put on top of a J, what does <strong>the</strong> combination remindyou of?Most people say that <strong>the</strong>y answer <strong>the</strong>se questions using a "mentalimage." They visualize <strong>the</strong> shape, which feels like conjuring up a pictureavailable for inspection in <strong>the</strong> mind's eye. The feeling is quite unlike <strong>the</strong>experience of answering abstract questions, such as "What is yourmo<strong>the</strong>r's maiden name?" or "What is more important, civil liberties or alower rate of crime?"Mental imagery is <strong>the</strong> engine that drives our thinking about objects inspace. To load a car with suitcases or rearrange <strong>the</strong> furniture, we imagine<strong>the</strong> different spatial arrangements before we try <strong>the</strong>m. The anthropologistNapoleon Chagnon described an ingenious use of mental imagery by<strong>the</strong> Yanomamo Indians of <strong>the</strong> Amazon rainforest. They had blown smokedown <strong>the</strong> opening of an armadillo hole to asphyxiate <strong>the</strong> animal, and<strong>the</strong>n had to figure out where to dig to extract it from its tunnel, whichcould run underground for hundreds of feet. One of <strong>the</strong> Yanomamo menhit on <strong>the</strong> idea of threading a long vine with a knot at <strong>the</strong> end down <strong>the</strong>hole as far as it would go. The o<strong>the</strong>r men kept <strong>the</strong>ir ears to <strong>the</strong> groundlistening for <strong>the</strong> knot bumping <strong>the</strong> sides of <strong>the</strong> burrow so <strong>the</strong>y could get asense of <strong>the</strong> direction in which <strong>the</strong> burrow ran. The first man broke off<strong>the</strong> vine, pulled it out, laid it along <strong>the</strong> ground, and began to dig where<strong>the</strong> end of <strong>the</strong> vine lay. A few feet down <strong>the</strong>y struck armadillo. Without

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