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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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The <strong>Mind</strong>'s Eye | 213When <strong>the</strong> current world resembles <strong>the</strong> average ancestral environment,we see <strong>the</strong> world as it is. When we land in an exotic world where <strong>the</strong>assumptions are violated—because of a chain of unlucky coincidences orbecause a sneaky psychologist concocted <strong>the</strong> world to violate <strong>the</strong>assumptions—we fall prey to an illusion. That is why psychologists areobsessed with illusions. They unmask <strong>the</strong> assumptions that naturalselection installed to allow us to solve unsolvable problems and know,much of <strong>the</strong> time, what is out <strong>the</strong>re.Perception is <strong>the</strong> only branch of psychology that has been consistentlyadaptation-minded, seeing its task as reverse-engineering. Thevisual system is not <strong>the</strong>re to entertain us with pretty patterns and colors;it is contrived to deliver a sense of <strong>the</strong> true forms and materials in <strong>the</strong>world. The selective advantage is obvious: animals that know where <strong>the</strong>food, <strong>the</strong> predators, and <strong>the</strong> cliffs are can put <strong>the</strong> food in <strong>the</strong>ir stomachs,keep <strong>the</strong>mselves out of <strong>the</strong> stomachs of o<strong>the</strong>rs, and stay on <strong>the</strong> right sideof <strong>the</strong> cliff top.The grandest vision of vision has come from <strong>the</strong> late artificial intelligenceresearcher David Marr. Marr was <strong>the</strong> first to describe vision assolving ill-posed problems by adding assumptions about <strong>the</strong> world, andwas a forceful defender of <strong>the</strong> computational <strong>the</strong>ory of mind. He alsooffered <strong>the</strong> clearest statement of what vision is for. Vision, he said, "is aprocess that produces from images of <strong>the</strong> external world a descriptionthat is useful to <strong>the</strong> viewer and not cluttered with irrelevant information."It may seem strange to read that <strong>the</strong> goal of vision is a "description."After all, we don't walk around muttering a play-by-play narration ofeverything we see. But Marr was referring not to a publicly spokendescription in English but to an internal, abstract one in mentalese.What does it mean to see <strong>the</strong> world? We can describe it in words, ofcourse, but we can also negotiate it, manipulate it physically and mentally,or file it away in memory for future reference. All <strong>the</strong>se featsdepend on construing <strong>the</strong> world as real things and stuff, not as <strong>the</strong> psychedeliaof <strong>the</strong> retinal image. We call a book "rectangular," not "trapezoidal,"though it projects a trapezoid on <strong>the</strong> retina. We mold our fingersinto a rectangular (not trapezoidal) posture as we reach for it. We buildrectangular (not trapezoidal) shelves to hold it, and we deduce that it cansupport a broken couch by fitting into <strong>the</strong> rectangular space beneath it.Somewhere in <strong>the</strong> mind <strong>the</strong>re must be a mental symbol for "rectangle,"delivered by vision but available at once to <strong>the</strong> rest of <strong>the</strong> verbal and non-

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