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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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Ho<strong>the</strong>ads 377The land itself must be legible, too. Anyone who has lost a trail in adense forest or seen footage of sand dunes or snow drifts in all directionsknows <strong>the</strong> terror of an environment lacking a frame of reference. A landscapeis just a very big object, and we recognize complex objects by locating<strong>the</strong>ir parts in a reference frame belonging to <strong>the</strong> object (see Chapter 4).The reference frames in a mental map are big landmarks, like trees, rocks,and ponds, and long paths or boundaries, like rivers and mountain ranges.A vista without <strong>the</strong>se guideposts is unsettling. Kaplan and Kaplan foundano<strong>the</strong>r key to natural beauty, which <strong>the</strong>y call mystery. Paths bendingaround hills, meandering streams, gaps in foliage, undulating land, andpartly blocked views grab our interest by hinting that <strong>the</strong> land may haveimportant features that could be discovered by fur<strong>the</strong>r exploration.People also love to look at animals and plants, especially flowers. Ifyou are reading this book at home or in o<strong>the</strong>r pleasant but artificial surroundings,chances are you can look up and find animal, plant, or flowermotifs in <strong>the</strong> decorations. Our fascination with animals is obvious. Weeat <strong>the</strong>m, <strong>the</strong>y eat us. But our love of flowers, which we don't eat exceptin salads in overpriced restaurants, needs an explanation. We ran into itin Chapters 3 and 5. People are intuitive botanists, and a flower is a richsource of data. Plants blend into a sea of green and often can be identifiedonly by <strong>the</strong>ir flowers. Flowers are harbingers of growth, marking <strong>the</strong>site of future fruit, nuts, or tubers for creatures smart enough to remember<strong>the</strong>m.Some natural happenings are deeply evocative, like sunsets, thunder,ga<strong>the</strong>ring clouds, and fire. Orians and Heerwagen note that <strong>the</strong>y tell ofan imminent and consequential change: darkness, a storm, a blaze. Theemotions evoked are arresting, forcing one to stop, take notice, and preparefor what's to come.Environmental aes<strong>the</strong>tics is a major factor in our lives. Mood dependson surroundings: think of being in a bus terminal waiting room or a lakesidecottage. People's biggest purchase is <strong>the</strong>ir home, and <strong>the</strong> three rulesof home buying—location, location, and location—pertain, apart fromnearness to amenities, to grassland, trees, bodies of water, and prospect(views). The value of <strong>the</strong> house itself depends on its refuge (cozy spaces)and mystery (nooks, bends, windows, multiple levels). And people in <strong>the</strong>unlikeliest of ecosystems strive for a patch of savanna to call <strong>the</strong>ir own.In New England, any land that is left alone quickly turns into a scruffydeciduous forest. During my interlude in suburbia, every weekend myfellow burghers and I would drag out our lawn mowers, leaf blowers,

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