Steven Pinker -- How the Mind Works - Hampshire High Italian ...

Notes to Pages 521-546 | 587521 Living for music, selling blood to buy movie tickets: Tooby & Cosmides, 1990a.522 The arts as status-seeking: Wolfe, 1975; Bell, 1992.522 Art, science, and the elite: Brockman, 1994. Honorable futility: From Bell, 1992.526 Art and illusion: Gombrich, 1960; Gregory, 1970; Kubovy, 1986. Adaptation andvisual aesthetics: Shepard, 1990; Orians & Heerwagen, 1992; Kaplan, 1992.526 Geometric patterning, evolution, and aesthetics: Shepard, 1990.528 Music and the mind: Sloboda, 1985; Storr, 1992; R. Aiello, 1994.529 Universal musical grammar: Bernstein, 1976; Jackendoff, 1977, 1987, 1992; Lerdahl& Jackendoff, 1983.531 Overtones and scales: Bernstein, 1976; Cooke, 1959; Sloboda, 1985. Dissenters:Jackendoff, 1977; Storr, 1992.531 Intervals and emotions: Bernstein, 1976; Cooke, 1959. Infant music appreciation:Zentner & Kagan, 1996; Schellenberg & Trehub, 1996.534 Flow and ebb of grief: Cooke, 1959, pp. 137-138.534 Emotional semantics of music: Cooke, 1959.534 Music and language: Lerdahl & Jackendoff, 1983; Jackendoff, 1987.535 Auditory scene analysis: Bregman & Pinker, 1978; Bregman, 1990; McAdams &Bigand, 1993.536 The aesthetics of regular patterns in art and music: Shepard, 1990.536 Music and auditory unsettledness: Bernstein, 1976; Cooke, 1959.536 Darwin on music: Darwin, 1874. Melody of emotional calls: Fernald, 1992; Hauser,1996.537 Habitat selection: Orians & Heerwagen, 1992; Kaplan, 1992.537 Music and movement: Jackendoff, 1992; Epstein, 1994; Clynes & Walker, 1982.539 Horace: From Hobbs, 1990, p. 5. Dryden: From Carroll, 1995, p. 170.539 Illusions of fiction and cinema: Hobbs, 1990; Tan, 1996.540 The economics of happy endings: Landsburg, 1993.540 Benign masochism: Rozin, 1996.540 Evolution of the yenta: Barkow, 1992.541 Fiction as experiment: Hobbs, 1990. Literature and cognition: Hobbs, 1990;Turner, 1991.541 Plots as goal-seeking: Hobbs, 1990. The goals in fiction are the goals in naturalselection: Carroll, 1995.542 Tabloid headlines: Native Son by Richard Wright; The Scarlet Letter by NathanielHawthorne; Romeo and Juliet by William Shakespeare; Crime and Punishment byFyodor Dostoevsky; The Great Gatsby by F. Scott Fitzgerald; Jane Eyre by CharlotteBronte; A Streetcar Named Desire by Tennessee Williams; Eumenides by Aeschylus.All from Lederer & Gilleland, 1994.543 Case-based reasoning: Schanck, 1982.543 Answers to life's conundrums: Hamlet; The Godfather; Fatal Attraction; MadameBovary; Shane.544 Repleteness of art: Goodman, 1976; Koestler, 1964.545 Koestler on humor: Koestler, 1964, p. 31.546 Evolution of humor: Provine, 1996; Eibl-Eibesfeldt, 1989; Weisfeld, 1993. Studiesof humor: Provine, 1996; Chapman & Foot, 1977; McGhee, 1979; Weisfeld, 1993.546 Laughter: Provine, 1991, 1993, 1996.