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Steven Pinker -- How the Mind Works - Hampshire High Italian ...

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292 HOW THE MIND WORKSthan neatly factoring <strong>the</strong>m into separate assertions. Mental rotation is agood example. In assessing an object's shape, a person cannot ignore itsorientation—which would be a simple matter if orientation weresequestered in its own statement. Instead, <strong>the</strong> person must nudge <strong>the</strong>orientation gradually and watch as <strong>the</strong> shape changes. The orientation isnot re-computed in one step like a matrix multiplication in a digitalcomputer; <strong>the</strong> far<strong>the</strong>r a shape is dialed, <strong>the</strong> longer <strong>the</strong> dialings takes.There must be a rotator network overlaid on <strong>the</strong> array that shifts <strong>the</strong>contents of cells a few degrees around its center. Larger rotationsrequire iterating <strong>the</strong> rotator, bucket-brigade style. Experiments on howpeople solve spatial problems have uncovered a well-stocked mentaltoolbox of graphic operations, such as zooming, shrinking, panning,scanning, tracing, and coloring. Visual thinking, such as judgingwhe<strong>the</strong>r two objects lie along <strong>the</strong> same line or whe<strong>the</strong>r two blobs of differentsizes have <strong>the</strong> same shape, strings <strong>the</strong>se operations into mentalanimation sequences.Finally, images capture <strong>the</strong> geometry of an object, not just its meaning.The surefire way of getting people to experience imagery is to ask<strong>the</strong>m about obscure details of an object's shape or coloring—<strong>the</strong> beagle'sears, <strong>the</strong> curves in <strong>the</strong> B, <strong>the</strong> shade of frozen peas. When a feature isnoteworthy—cats have claws, bees have stingers—we file it away as anexplicit statement in our conceptual database, available later for instantlookup. But when it is not, we call up a memory of <strong>the</strong> appearance of <strong>the</strong>object and run our shape analyzers over <strong>the</strong> image. Checking for previouslyunnoticed geometric properties of absent objects is one of <strong>the</strong>main functions of imagery, and Kosslyn has shown that this mentalprocess differs from dredging up explicit facts. When he asked peoplequestions about well-rehearsed facts, like whe<strong>the</strong>r a cat has claws or alobster has a tail, <strong>the</strong> speed of <strong>the</strong> answer depended on how strongly <strong>the</strong>object and its part were associated in memory. People must haveretrieved <strong>the</strong> answer from a mental database. But when <strong>the</strong> questionswere more unusual, like whe<strong>the</strong>r a cat has a head or a lobster has amouth, and people consulted a mental image, <strong>the</strong> speed of <strong>the</strong> answerdepended on <strong>the</strong> size of <strong>the</strong> part; smaller parts were slower to verify.Since size and shape are mixed toge<strong>the</strong>r in an image, smaller shapedetails are harder to resolve.For decades, philosophers have suggested that <strong>the</strong> perfect test ofwhe<strong>the</strong>r mental images are depictions or descriptions was whe<strong>the</strong>r peoplecan reinterpret ambiguous shapes, like <strong>the</strong> duck-rabbit:

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