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A FIVE-TIIOUSAND-DOLLAR JOB GOES BEGGING 109<br />

At almost any movie show you can see one or more of such famous folk as<br />

Mutt and Jeff, the Katzenjammer Kids, the Boob Family, Jerry on the Job, Krazy<br />

Kat, and our old friend, Col. Heeza Liar. All there is to any one of them is a lot<br />

of lines, but people get just as excited over them as they do over Douglas<br />

Fairbanks or H. B. Warner.<br />

Now, somebody has to make these black and white people of the film. Bud<br />

Fisher, Ge<strong>org</strong>e McManus, Rube Goldberg, Fred Opper, J. R. Bray, and the rest<br />

of them? Hardly. Not if you knew how much work it takes to follow, say,<br />

Col. Heeza Liar for five hundred feet. The aristocrats just mentioned originate<br />

the ideas and then—then the hundred-dollar-a-week men come in.<br />

For instance, if Rube Goldberg by himself wanted to execute five hundred<br />

feet of the Boob Family he would have to make something like 3,000 drawings.<br />

It would take him a month and the Boob Family comes out once a week. That's<br />

the rub and so in comes the animator. The animator takes the funny idea and<br />

the principal situations and makes the characters move. Before us we have<br />

Jeff taking his hand out of his pocket, which requires four drawings. That<br />

simple little operation of Jeff taking his hand out of his pocket requires four<br />

separate and distinct drawings. You can imagine how much paper and ink<br />

is consumed when trudging down a lonely road Jeff meets a bear!<br />

Animating movie cartoons is a new and growing business, and needs more<br />

men than it can get, but it has one objection. Only about one person in a hundred<br />

can do the work. The more you have studied and the more prizes you have<br />

taken in the Latin Quartet the surer you are to fail. Many an artist with a<br />

national name has picked out his lots on Long Island and gone into animating<br />

A SIMPLE SIGN-LANGUAGE LOVE SCENE BETWEEN TWO DEAF MUTES WOULD<br />

COVER TEN REAMS OF THE FINEST TISSUE<br />

cartoons and then suddenly moved to the Bronx. Then on the other hand,<br />

a number of men and young women have left their cutting board at the shirt<br />

waist factory and made good. It all depends on whether or not you can see<br />

continuous action and see it comically.

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