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922 ILLUSTRATED WORLD<br />

The next element<br />

in importance is durability.<br />

Gems are<br />

prized because every<br />

one of them, except<br />

the opal and pearl,<br />

is hard, and will<br />

wear indefinitely—<br />

may be passed from<br />

father to son, from<br />

mother to daughter,<br />

and acquire interesting<br />

histories, sometimes<br />

of murder,<br />

theft, and assassination,<br />

as in the case<br />

of crown jewels and<br />

other noted stones.<br />

This is the quality in<br />

genuine stones which<br />

puts paste imitations<br />

so hopelessly out of<br />

the running; paste is<br />

puttylike in its softness<br />

when compared<br />

to the real gem, and<br />

will wear and lose<br />

its beauty even from being rubbed<br />

against garments during wear, and<br />

worse, will deteriorate rapidly even when<br />

left in a jewel case. It cannot live and<br />

gather associations, memories, or become<br />

known as "one of Mrs. Smith's beautiful<br />

emeralds" or "the solitaire my husband<br />

gave me when we became engaged, forty<br />

years ago."<br />

The third point is genuineness, upon<br />

which we have already touched. It<br />

seems that no matter how fine a stone<br />

may be, it must have come from nature<br />

and have undergone only the processes of<br />

cutting, polishing, and mounting; otherwise<br />

its value is discounted heavily. But<br />

more of that later; such matters belong<br />

in a discussion of imitations and not in<br />

the problem of evaluating real gems. In<br />

this connection, all we need to remember<br />

is that a stone does not count, if anything<br />

more has happened to it than the<br />

processes we have mentioned.<br />

These are the three main determining<br />

points in evaluating jewels, and the<br />

The Expert Buyer Figures Each Stone into Its<br />

Certain Place in His Retail Showcase. As He<br />

Purchases He Knows Whether a Gem Is to Be<br />

Set in a Solitaire, a Bracelet, or Is to Be the<br />

Jewel of Honor in a Brooch, and the Price He<br />

Offers Varies According to His Demand<br />

chief of them is<br />

beauty, for the<br />

others are more or<br />

less constant factors<br />

for any one kind of<br />

gem. Weight, o f<br />

course, is a big factor,<br />

and many people<br />

think it is almost the<br />

sole criterion; but<br />

really it is not, except<br />

in that the<br />

larger stone of similar<br />

grade is more<br />

beautiful than the<br />

smaller. That is<br />

why it is worth<br />

more, except in the<br />

case of stones so<br />

large as to be unique,<br />

which we are not<br />

discussing. But<br />

when it comes to<br />

working the matter<br />

out in terms of dollars<br />

and cents on a<br />

price card, it is another<br />

story altogether. The application<br />

of these principles becomes a matter of<br />

almost infinite complexity; and it is<br />

quite probable that not even the most<br />

expert judges of precious stones can tell<br />

you exactly how they know that a certain<br />

gem is worth what they say it is.<br />

Take the case of diamonds. These<br />

gems classify roughly into yellow-white<br />

and blue-white. The former class is<br />

typified in the mind of everyone interested<br />

in the matter, by the Brazilian diamond,<br />

although many South African<br />

stones are yellow-white ; and perhaps the<br />

most conspicuous example of blue-white<br />

stones is found in the product of the<br />

Wesselton mines in South Africa. At<br />

the present time, yellow-white stones<br />

rank under blue-white in value, and no<br />

jeweler will ask as much for a typical<br />

Brazilian stone as he will for a Wesselton<br />

of similar weight and grade.<br />

Long experience and an acute artistic<br />

sense enable him to judge whether the<br />

lustre of the stone is inferior, equal, or

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