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924 ILLUSTRATED WORLD<br />

ions—and many a dealer loses his all<br />

because he loses his intimate feeling for<br />

this subtle current of price movement.<br />

But even this complicated situation<br />

becomes simple when compared with the<br />

situation that exists because of artificial<br />

stones. Artificial stones fall into two<br />

classes—imitation, and synthetic stones.<br />

The imitation stones of the transparent<br />

type—that is, diamonds, emeralds, sapphires,<br />

rubies, and the like—are generally<br />

made of "paste"—that is, a special<br />

glass, colored to imitate the stone. Synthesized<br />

stones are genuine in every way<br />

except their origin—they are made in<br />

man's laboratory instead of Nature's,<br />

and that is all. Each type will serve in<br />

many ways as a satisfactory substitution<br />

for the genuine article—and every substitution<br />

that becomes possible or popular<br />

affects the market price of the genuine<br />

article by cutting down the volume<br />

of demand.<br />

Paste stones are readily distinguishable<br />

from the genuine by the fact that all<br />

spurious gems of this sort are soft. They<br />

can be scratched by a piece of quartz,<br />

and no real gem of the transparent sort<br />

can. This softness makes them subject<br />

to rapid deterioration, and the only<br />

legitimate use for them is in work not<br />

intended to be permanent—theatrical<br />

costumes, temporary furnishings and<br />

ornamentations, and the like. Their<br />

effect upon values is not great.<br />

It is true that even diamonds will show<br />

wear. If a solitaire ring is worn for<br />

years while a great deal of work is done<br />

with the hands, the facets will not be as<br />

sharp as the day they were cut. Where<br />

jewels are handed down from generation<br />

to generation, it often becomes<br />

necessary in the end to have them recut,<br />

and they lose their ability to refract<br />

light in the same degree because of the<br />

rounding edges. This wearing, however,<br />

is a slow process, and may be disregarded<br />

largely, where the owner's lifetime is the<br />

span to be considered.<br />

The imitation pearl is something<br />

radically different. It is made by coating<br />

the inside of a small hollow glass<br />

sphere with a preparation made from<br />

fish scales, and then filling the globule<br />

with wax. The resulting product is distinguished<br />

readily from the genuine not<br />

only by the presence of the hole, but by<br />

the fact that a small drop of ink on the<br />

imitation gives a reflection from the<br />

inner surface of the glass. Except for<br />

the fact that they are not genuine, however,<br />

these pearls should be worth more<br />

than their counterparts of equal grade,<br />

for they are harder and hold their lustre<br />

better. They are factors to be counted<br />

on in figuring prices.<br />

Synthetic stones, however, are the<br />

genuine pests, when it comes to price<br />

determination. There are two of them<br />

—sapphire and ruby—and except in the<br />

matter of bubbles already mentioned, are<br />

practically indistinguishable from the<br />

genuine. They are made by introducing<br />

either the dust from cuttings and inferior<br />

genuine stones or the raw material<br />

-—pure aluminium oxide—into the flame<br />

of an oxy-acetylene blowpipe, and then<br />

directing a slow flame upon a platinum<br />

table. The melted mineral comes out in<br />

the form of a globule, which builds up<br />

as the process is continued. It will be<br />

red, thus making a ruby, if chrome alum<br />

be added to the material used, and blue,<br />

thus becoming a sapphire, if titanium<br />

oxide be added. Except for the fact that<br />

titanium oxide is not the coloring matter<br />

used by nature, these processes duplicate<br />

the natural method of creating the gems<br />

in question.<br />

Naturally, perfect imitations such as<br />

this have a pronounced effect on market<br />

values. They exercise a peculiar influence,<br />

reducing the value of smaller<br />

genuine stones, by reason of competition,<br />

and enhancing the value of larger and<br />

more rare types, both by increasing the<br />

minimum income necessary from each<br />

stone because of the lowered profit in<br />

cheaper genuine grades, and by making a<br />

really genuine stone something even<br />

more "classy" than if there were no good<br />

artificial ones. That follows naturally<br />

from the fact that one of the reasons<br />

why men buy jewelry is their desire to

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