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M R.<br />

SEEING WIRELESS<br />

MESSAGES<br />

By WILLIAM A. COFEY<br />

THE "SIGHT AND SOUND" TEACHING APPARATUS<br />

GEORGE E. RIGGINS,<br />

formerly connected with the<br />

radio service of the United<br />

States Navy on the Pacific<br />

Coast, later in charge of the<br />

navy radio exhibit at the Panama Pacific<br />

International Exposition in San Francisco,<br />

has perfected recently a device to<br />

assist beginners in radio work. It consists<br />

of an omnigraph and an electrical<br />

attachment thereto that flashes, one by<br />

one, the letters of the alphabet.<br />

There is perfect synchronization between<br />

the omnigraph and the attach­<br />

ment : the latter flashes the letter at the<br />

same instant that the former sends the<br />

signal through the buzzer to the student's<br />

ears.<br />

The prospective wireless operator, in<br />

the very beginning, is introduced to the<br />

buzzer and the flasher. He is seated<br />

before the apparatus and shown how to<br />

adjust the receivers over his head. Then<br />

the omnigraph is plugged into the circuit,<br />

the flasher is switched on and his education<br />

is under way.<br />

At first the student does nothing but<br />

sit still, listen to the buzzer and watch<br />

the electric lights behind the little glass<br />

squares as they faithfully keep step with<br />

the signals coming to his ears. He<br />

quickly learns to associate sight and<br />

sound. He sees a certain letter and he<br />

hears at the same instant a certain number<br />

and arrangement of dots and dashes.<br />

Then he takes pencil and paper and, still<br />

watching and listening, begins to write<br />

down what he sees and hears. Thus his<br />

hand gets into the game and begins its<br />

education. At first the flasher moves<br />

back and forth in measured and regular<br />

order and it is easy for him to follow it.<br />

Then the speed is increased and he has<br />

to screw up his concentration.<br />

The lights behind the glass squares<br />

begin to jump about here and there and<br />

873

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