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RESEARCH METHOD COHEN ok

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368 INTERVIEWS<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

asummarizingorexploratorytone,openingor<br />

closing a line of enquiry)<br />

emphases placed by the speaker<br />

pauses (short to long) and silences (short to<br />

long)<br />

interruptions<br />

the mood of the speaker(s) (e.g. excited, angry,<br />

resigned, bored, enthusiastic, committed,<br />

happy, grudging)<br />

the speed of the talk (fast to slow, hurried or<br />

unhurried, hesitant to confident)<br />

how many people were speaking simultaneously<br />

whether a speaker was speaking continuously<br />

or in short phrases<br />

who is speaking to whom<br />

indecipherable speech<br />

any other events that were taking place at the<br />

same time that the researcher can recall.<br />

If the transcript is of videotape, then this enables<br />

the researcher to comment on all of the non-verbal<br />

communication that was taking place in addition<br />

to the features noted from the audiotape. The issue<br />

here is that it is often inadequate to transcribe only<br />

sp<strong>ok</strong>en words; other data are important. Of course,<br />

as soon as other data are noted, this becomes a<br />

matter of interpretation (what is a long pause,<br />

what is a short pause, was the respondent happy<br />

or was it just a ‘front’, what gave rise to suchand-such<br />

a question or response, why did the<br />

speaker suddenly burst into tears). As Kvale (1996:<br />

183) notes, interviewees’ statements are not simply<br />

collected by the interviewer, they are, in reality,<br />

co-authored.<br />

Analysing<br />

Once data from the interview have been collected,<br />

the next stage involves analysing them, often by<br />

some form of coding or scoring. In qualitative<br />

data the data analysis here is almost inevitably<br />

interpretive, hence the data analysis is less a<br />

completely accurate representation (as in the<br />

numerical, positivist tradition) but more of<br />

a reflexive, reactive interaction between the<br />

researcher and the decontextualized data that<br />

are already interpretations of a social encounter.<br />

The great tension in data analysis is between<br />

maintaining a sense of the holism of the<br />

interview and the tendency for analysis to atomize<br />

and fragment the data – to separate them into<br />

constituent elements, thereby losing the synergy<br />

of the whole, and in interviews often the whole is<br />

greater than the sum of the parts. There are several<br />

stages in analysis, for example:<br />

<br />

<br />

<br />

<br />

generating natural units of meaning<br />

classifying, categorizing and ordering these<br />

units of meaning<br />

structuring narratives to describe the interview<br />

contents<br />

interpreting the interview data.<br />

These are comparatively generalized stages. Miles<br />

and Huberman (1994) suggest twelve tactics<br />

for generating meaning from transcribed and<br />

interview data:<br />

counting frequencies of occurrence (of ideas,<br />

themes, pieces of data, words)<br />

noting patterns and themes (Gestalts), which<br />

may stem from repeated themes and causes or<br />

explanations or constructs<br />

seeing plausibility: trying to make good sense<br />

of data, using informed intuition to reach<br />

aconclusion<br />

clustering: setting items into categories, types,<br />

behaviours and classifications<br />

making metaphors: using figurative and<br />

connotative language rather than literal<br />

and denotative language, bringing data to<br />

life, thereby reducing data, making patterns,<br />

decentring the data, and connecting data with<br />

<br />

theory<br />

splitting variables to elaborate, differentiate<br />

and ‘unpack’ ideas, i.e. to move away from the<br />

drive towards integration and the blurring of<br />

data<br />

subsuming particulars into the general,<br />

akin to Glaser’s (1978) notion of ‘constant<br />

comparison’ (see Chapter 6 in this bo<strong>ok</strong>) – a<br />

move towards clarifying key concepts

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