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Index of Paper Presentations for the Parallel Sessions - Academy of ...

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1. IntroductionLuxury has its origin in <strong>the</strong> Latin word ―luxus‖. According to <strong>the</strong> Ox<strong>for</strong>d Latin Dictionary, it denotespleasurable extravagance and opulence (Gupta, 2009). Luxury incorporates beauty and art that appeals to<strong>the</strong> senses. It seeks to provide pleasure and experiential benefit that extends beyond <strong>the</strong> functional utility<strong>of</strong> products (Kapferer and Bastien, 2009). This benefit comprises <strong>of</strong> hedonic pleasure, which is fur<strong>the</strong>rrooted in <strong>the</strong> distinctiveness <strong>of</strong> luxury. It also enhances <strong>the</strong> desire <strong>for</strong> luxury products. Thus, luxury is aqualitative concept that indicates abstract levels <strong>of</strong> sophistication and multi sensory appeal (Wiedmann etal., 2009).There are numerous typologies <strong>for</strong> luxury, namely, democratic luxury, inaccessible luxury and massluxury. ‗Democratic luxury‘ is that luxury wherein extraordinary consumers regard it to be common,while <strong>the</strong> common consumers would regard it to be extraordinary (Kapferer and Bastien, 2009). Itsuggests that different people have different perception towards luxury that may even change over time.‗Inaccessible luxury‘ is that luxury wherein <strong>the</strong> products are over indulgent and highly priced, and thus,<strong>the</strong>y can be purchased by only a handful <strong>of</strong> consumers (Paskeviciene, 2010). Conversely, ‗mass luxury‘ or‗new luxury‘ is that type <strong>of</strong> luxury where <strong>the</strong>re are high levels <strong>of</strong> sophistication and quality, but is lessexpensive, and thus may be af<strong>for</strong>ded by many people (Silverstain and Fiske, 2008). There may bedifferent types <strong>of</strong> luxury, but still <strong>the</strong>re is one common similarity among all <strong>the</strong> types <strong>of</strong> luxury, that is, <strong>the</strong>symbolic desire <strong>for</strong> dominance within a social class. However, this symbolic desire is different fromsnobbery as it is based on provocation, while <strong>the</strong> desire <strong>for</strong> dominance is related to social implication.Thus, luxury may be deeply ingrained in <strong>the</strong> social fabric <strong>of</strong> human society (Kapferer and Bastien, 2009).2. Luxury BrandsLuxury brands yield prestige to <strong>the</strong> consumers that can be distinguished from <strong>the</strong>ir functional utility(Kapferer and Bastien, 2009). The price <strong>of</strong> <strong>the</strong>se brands is very high, which translates into possibly lowpractical utility and a high level <strong>of</strong> intangible utility (Nueno and Quelch, 1998). Luxury brands provideintangible utility as <strong>the</strong>y have <strong>the</strong> characteristics <strong>of</strong> uniqueness, superiority, brand distinctiveness and highlevels <strong>of</strong> observed quality (Phau and Prendergast, 2000). These parameters give luxury brands a fineimage that is preserved through appropriate branding strategies. The features <strong>of</strong> a marketing program <strong>of</strong><strong>the</strong>se brands are entwined so that <strong>the</strong> good quality <strong>of</strong> <strong>the</strong> product, memorable and sensory consumption <strong>of</strong><strong>the</strong> brands can be maintained. These features are essential competitive advantages that generate exclusiveimportance <strong>for</strong> luxury brands. In this way, luxury brands provide <strong>the</strong> essential portrayal <strong>of</strong> branding(Keller, 2009).

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