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Index of Paper Presentations for the Parallel Sessions - Academy of ...

Index of Paper Presentations for the Parallel Sessions - Academy of ...

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Exploring <strong>the</strong> factors that influence <strong>the</strong> use <strong>of</strong> hair extensions amongst black women in southAfricanMlenga Jere and Karren MushureABSTRACTHair extensions are widely used by black and o<strong>the</strong>r women. This article explores <strong>the</strong> factors that influence<strong>the</strong> use <strong>of</strong> hair extensions by black African women in South Africa. Based on a survey <strong>of</strong> 87 black Africanaged 18 years and above, <strong>the</strong> most preferred hairstyles and <strong>the</strong> influencing factors are identified. Theresults do not support <strong>the</strong> proposition that self-hatred or de-Africanisation is a major influencer <strong>of</strong>hairstyle choices amongst <strong>the</strong> respondents. On <strong>the</strong> o<strong>the</strong>r hand, based on <strong>the</strong> respondents‘ cultural valuepriorities and <strong>the</strong>ir reasons <strong>for</strong> using hair extensions, <strong>the</strong> results suggest that <strong>the</strong> desire to con<strong>for</strong>m tomodernity is an influencer <strong>of</strong> hairstyle choices. The article concludes by highlighting managerialimplications <strong>for</strong> marketing and business practitioners.Key words: black African women, hairstyles, hair extensions, feminine beauty, value prioritiesINTRODUCTIONHair extensions are widely used by black women in South Africa to create a variety <strong>of</strong> hairstyles.The South African hairstyles market can be split into two categories, namely ‗wet‘ and ‗dry‘. The ‗wet‘hair market relates to sales <strong>of</strong> chemical products such as hair relaxers used <strong>for</strong> straightening hair,shampoos, and hair dyes. The ‗dry‘ hair market is composed largely <strong>of</strong> hair extensions which are availablein <strong>the</strong> <strong>for</strong>m <strong>of</strong> wigs, weaves and hair pieces (Mpungose 2004). The use <strong>of</strong> hair extensions has becomewidely popular amongst black women, who in addition to <strong>the</strong> use <strong>of</strong> ‗wet‘ hair products also use hairextensions. Apart from <strong>the</strong> need <strong>for</strong> fashion and beauty enhancement, ano<strong>the</strong>r reason <strong>for</strong> <strong>the</strong> use <strong>of</strong>extensions is convenience, which assumes that natural hair is unmanageable. Hair extensions, in additionto giving hair a richer and fuller look, are also used by women to cover up hair which has been damagedby chemical treatments (Bell 2010). Hairstyling is important to women because it presents beauty choicesto distinguish <strong>the</strong>m culturally and socially. Hairstyling is also perceived as a way <strong>of</strong> enacting femininityand feeling attractive (Gimlin 1996). It is argued that women‘s hair is fundamental to <strong>the</strong>ir social positionand that women may use <strong>the</strong>ir hair as a source <strong>of</strong> power which is dependent on how people respond to<strong>the</strong>m based on <strong>the</strong>ir hairstyle (Weitz 2001).Perceptions <strong>of</strong> feminine beautyPerceptions <strong>of</strong> feminine beauty and <strong>the</strong> significance women place on <strong>the</strong>ir hair are different anddependent on cultural context. Feminine beauty is a concept which does not lend itself to easy definitionas its very meaning and essence is subject to diverging contextual connotations. But Arnheim (1996: 252)contends that ―...within <strong>the</strong> standards <strong>of</strong> different races <strong>the</strong> criteria <strong>for</strong> what is called beauty are <strong>the</strong> sameas those <strong>of</strong> <strong>the</strong> western tradition‖. This is attributed to <strong>the</strong> constant messages in <strong>the</strong> media that displaybeauty in Eurocentric ways (Patton 2006). Brand (1999) suggests that a white-dominated culture isresponsible <strong>for</strong> creating a ‗racialised‘ concept <strong>of</strong> beauty by which all women, regardless <strong>of</strong> race, are

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