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Pagan races of the Malay Peninsula - Sabrizain.org

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400<br />

DECORATIVE ART<br />

development which is entirely foreign to <strong>the</strong> cast <strong>of</strong> mind<br />

even <strong>of</strong> <strong>the</strong> <strong>Malay</strong>s, who are a race some centuries<br />

ahead <strong>of</strong> <strong>the</strong> Semang in general intelligence.'<br />

Vaughan - Stevens, however, not content with<br />

applying this <strong>the</strong>ory to <strong>the</strong> combs, attempted to carry<br />

it even fur<strong>the</strong>r and extend it to all o<strong>the</strong>r patterns<br />

executed by <strong>the</strong> Semang, such as <strong>the</strong> patterns on<br />

<strong>the</strong>ir blowpipes, <strong>the</strong>ir quivers, and <strong>the</strong>ir magic tubes.<br />

This extension, however, is regarded, even by<br />

Vaughan-Stevens' own editors, as utterly untenable,<br />

so that we need not trouble to waste any more time<br />

in following him fur<strong>the</strong>r away from <strong>the</strong> track.<br />

It is, unfortunately, necessary to speak thus plainly,<br />

in order to prevent <strong>the</strong> published work <strong>of</strong> Vaughan-<br />

Stevens from entrapping scholars who use it, and who<br />

may not have had <strong>the</strong> right kind <strong>of</strong> field experience to<br />

enable <strong>the</strong>m to use it critically. But it is a far more<br />

congenial and grateful task for <strong>the</strong> writer—knowing, as<br />

he does, <strong>the</strong> all but insuperable difficulties <strong>of</strong> <strong>the</strong> subject<br />

—to record <strong>the</strong> fact that, setting apart all question <strong>of</strong><br />

this absurd pseudo-botanical <strong>the</strong>ory, that indefatigable<br />

pioneer (Vaughan-Stevens) has left behind him, not<br />

only a fine collection <strong>of</strong> specimens <strong>of</strong> Negrito art (now<br />

in <strong>the</strong> Museum <strong>of</strong> Ethnology at Berlin), but also a vast<br />

mass <strong>of</strong> most valuable observations which only require<br />

critical revision and recension to render <strong>the</strong>m a verit-<br />

able storehouse <strong>of</strong> fresh and remarkable information<br />

for <strong>the</strong> ethnologist. From this point <strong>of</strong> view, <strong>the</strong><br />

1 For o<strong>the</strong>r scarcely less grotesque <strong>the</strong> three concentric ring- lines which<br />

and far - fetched ideas <strong>of</strong> Vaughan- separate <strong>the</strong> panels in a pattern repre-<br />

Slevens, see Vaughan - Stevens, iii. sent three kinds 136, and similar references, where<br />

we are told that <strong>the</strong> hollow <strong>of</strong><br />

<strong>of</strong> lightning employed<br />

by Kari — <strong>the</strong> straight flash, <strong>the</strong><br />

forked flash, and <strong>the</strong> '^ heavy blue<br />

a bamboo internode (used as a tropic lightning flash," only <strong>the</strong><br />

quiver) represents a mountain -with middle one <strong>of</strong> which is supposed to<br />

caves in <strong>the</strong> interior, and that be effective !

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