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Pagan races of the Malay Peninsula - Sabrizain.org

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CHAP. IX GENERAL REMARKS 411<br />

Bamboo Stampers.<br />

We now come to <strong>the</strong> Sakai " tuntong " (more<br />

correctly " tuang-tuang ") or " kovvet-niss," to which<br />

recourse was had in every emergency <strong>of</strong> Hfe. These<br />

bamboos always consisted <strong>of</strong> a pair <strong>of</strong> tubes, one <strong>of</strong><br />

which was somewhat smaller than <strong>the</strong> o<strong>the</strong>r, so that<br />

quite different tones were produced by <strong>the</strong>m when<br />

struck. These tubes were closed at <strong>the</strong> lower end<br />

by <strong>the</strong> natural node ; but <strong>the</strong>y were left open at <strong>the</strong><br />

top, so that <strong>the</strong> closed end, when struck upon <strong>the</strong><br />

ground, emitted a distinct musical note.^<br />

The illustrations will be treated in fuller detail<br />

below. The first is 48 cm. high, <strong>the</strong> second 56 cm.<br />

high.'-<br />

There are also " tuang-tuangs " in secular use.<br />

These, however, are nei<strong>the</strong>r provided with incised<br />

patterns nor painted, but serve merely to give a signal<br />

for calling home <strong>the</strong> inhabitants <strong>of</strong> a house or<br />

village, since <strong>the</strong>y can be heard at a great distance<br />

through <strong>the</strong> jungle. These undecorated tubes are<br />

common among tribes who live in <strong>the</strong> neighbourhood<br />

ot <strong>the</strong> <strong>Malay</strong>s. They serve in this case, however,<br />

only as instruments <strong>of</strong> music.''<br />

The patterns <strong>of</strong> <strong>the</strong> o<strong>the</strong>r objects classified call for<br />

no special remark, being mostly confined to ring-lines<br />

and plain geometrical patterns, with <strong>the</strong> exception <strong>of</strong><br />

those employed for decorating <strong>the</strong> person, which will<br />

be fully treated in ano<strong>the</strong>r chapter.<br />

• Z. f. E. xxvi. 140. Vaughan- ^^ z^f^E. xxvi. 14S. V. Stevens<br />

Stevens remarks that <strong>the</strong>se "tuntonp;s" has here evidently confused <strong>the</strong> "tuang-<br />

(as he calls ihom) are never struck upon luang" <strong>of</strong> <strong>the</strong>se ]\itterns, which is a<br />

wood. This refers, perhaps, to <strong>the</strong> mere "stamper," producing a note when<br />

Sakai customs, as I myself have more struck against <strong>the</strong> ground, with an inthan<br />

once seen and heard <strong>the</strong>m struck strument hearing <strong>the</strong> same name which<br />

upon <strong>the</strong> wooden tloor- limbers <strong>of</strong> has a mouth-hole al one side, and is<br />

Jakun huts. really used as a species <strong>of</strong> "conch."

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