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Pagan races of the Malay Peninsula - Sabrizain.org

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624<br />

APPENDIX<br />

"pawer") are '* in part borrowed" from <strong>the</strong> disease-patterns, even though <strong>the</strong>y<br />

are seldom combined in one comb. Yet it is absolutely essential to suppose that<br />

<strong>the</strong> flower-patterns {if <strong>the</strong>y 7-eaIly represent flowers) were taken direct from nature<br />

and not in any case borrowed from <strong>the</strong> "tin-weg." The simplest and, so far as<br />

<strong>the</strong> writer can see, <strong>the</strong> only way out <strong>of</strong> <strong>the</strong> whole coil, is to suppose that<br />

Vaughan-Stevens was ignorant <strong>of</strong> <strong>the</strong> fact that <strong>the</strong> word "bunga," as used not<br />

only by <strong>the</strong> <strong>Malay</strong>s but among <strong>the</strong>se tribes, signifies a decorative emblem, border,<br />

or pattern, as well as a flower, without any necessary correlation between its usual<br />

signification and <strong>the</strong> object (or objects) represented. It can hardly be doubted<br />

that in <strong>the</strong> (rare) cases in which <strong>the</strong> flower- and disease-patterns in <strong>the</strong> same<br />

comb resemble each o<strong>the</strong>r, it is <strong>the</strong> disease part <strong>of</strong> <strong>the</strong> pattern that takes after<br />

<strong>the</strong> flower part <strong>of</strong> <strong>the</strong> pattern, and not vice versa, whilst in o<strong>the</strong>r cases <strong>the</strong> disease<br />

part <strong>of</strong> <strong>the</strong> pattern may be taken from o<strong>the</strong>r objects besides flowers. At all<br />

events it is tenable to suppose, as is here done by Vaughan-Stevens' editor, that<br />

" <strong>the</strong> object <strong>of</strong> healing has always been <strong>the</strong> chief thing," and <strong>the</strong> working <strong>of</strong> a<br />

charm an accretion <strong>of</strong> secondary importance, as among <strong>the</strong>se tribes at all events<br />

<strong>the</strong> two ideas are indistinguishable. A yet fur<strong>the</strong>r difficulty (in <strong>the</strong> way <strong>of</strong> <strong>the</strong><br />

acceptance <strong>of</strong> <strong>the</strong> comb-<strong>the</strong>oiy) lies in <strong>the</strong> existence <strong>of</strong> an alternative <strong>the</strong>ory,<br />

also promulgated by Vaughan-Stevens, to <strong>the</strong> eff"ect that all patterns originated<br />

from <strong>the</strong> charcoal marks on wood which were employed by <strong>the</strong> Puttos for <strong>the</strong><br />

prevention, expulsion, and conjuration <strong>of</strong> diseases.<br />

O<strong>the</strong>r narrow bands or panels on <strong>the</strong> combs are supposed by \"aughan-<br />

Stevens to represent such flowers as are next best in point <strong>of</strong> efficacy (!), and <strong>the</strong>se<br />

are said to imitate <strong>the</strong> "was" and "pawer" pattern <strong>of</strong> o<strong>the</strong>r combs, or <strong>the</strong>ir<br />

special signs ! Of <strong>the</strong>se all one can say is that an explanation <strong>of</strong> this kind (as to<br />

<strong>the</strong> employment <strong>of</strong> "second-best " (!) patterns) is totally at variance with <strong>the</strong><br />

practical character <strong>of</strong> <strong>the</strong> race to which <strong>the</strong> practice is attributed ; and that it is<br />

quite inacceptable ! Dr. Preuss himself sees that <strong>the</strong>se bands are too narrow to<br />

represent anything eftectively, and that <strong>the</strong>ir "purport" [if any!] "would be<br />

exceedingly insignificant " !<br />

Here follows a statement in detail <strong>of</strong> <strong>the</strong> flower-<strong>the</strong>ory, which we have shown<br />

in <strong>the</strong> text to be utterly untenable—a mere house <strong>of</strong> cards that falls with a crash<br />

when <strong>the</strong> lowest card has been removed. The conclusive arguments against it<br />

are too numerous to be repeated here, but we may perhaps be permitted to ask<br />

a few pertinent questions. Why should a "tepi"-line represent both pistil<br />

and stamens <strong>of</strong> a flower, especially when <strong>the</strong> word is nothing more than <strong>the</strong> ^Ialay<br />

word "tepi" = edge or border, and nei<strong>the</strong>r pistil nor stamens can by any flight<br />

<strong>of</strong> imagination be nominally regarded as <strong>the</strong> edge <strong>of</strong> a flower ? To what race,<br />

ei<strong>the</strong>r <strong>of</strong> savages or civilised men, would it occur to represent <strong>the</strong> smell as part <strong>of</strong><br />

a flower, and as requiring visible illustration ? What race <strong>of</strong> savages on an<br />

equally low plane <strong>of</strong> culture is able to distinguish between <strong>the</strong> pistil, stamens, and<br />

sepals at all, terms which have simply been invented for <strong>the</strong> purposes <strong>of</strong> botanical<br />

analysis ? Why again are <strong>the</strong> petals, which we might fairly expect to rank as<br />

<strong>the</strong> most important part <strong>of</strong> a flower in <strong>the</strong> eyes <strong>of</strong> a native, and <strong>the</strong> only part <strong>of</strong><br />

a flower, in fact, that is recognised by <strong>the</strong> <strong>Malay</strong>s (a race immeasurably in advance<br />

<strong>of</strong> <strong>the</strong> Semang as regards culture), entirely omitted and disregarded?<br />

The Charm-hieroglyphics {sic) <strong>of</strong> <strong>the</strong> Negritos in Malacca.<br />

In vol. Ixxv. (No. 23) <strong>of</strong> Globus <strong>the</strong>re is given an account <strong>of</strong> Vaughan-Stevens'<br />

combs, with especial reference to <strong>the</strong> signs said to be used for various parts <strong>of</strong> <strong>the</strong><br />

body (see vol. i. pp. 434, 435 <strong>of</strong> text). The "one hundred and forty combs are<br />

divided into seventy pairs, each <strong>of</strong> which is directed against a disease whose<br />

name is usually given, but not explained," nor is <strong>the</strong>re, as a rule, <strong>the</strong> smallest<br />

clue to any <strong>of</strong> <strong>the</strong> sicknesses given. As regards <strong>the</strong> signs for parts <strong>of</strong> <strong>the</strong> body,<br />

only one or two <strong>of</strong> <strong>the</strong>se could (as Dr. Preuss points out) be identified without<br />

il

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