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Pagan races of the Malay Peninsula - Sabrizain.org

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SAKAI OF PERAK 489<br />

The dots denote " leaves " or vegetation, e.g.<br />

grass, etc. Slopes covered with forest are also shown,<br />

with <strong>the</strong>ir summits bare <strong>of</strong> vegetation. The curves<br />

[^--] which reach to <strong>the</strong> centre <strong>of</strong> <strong>the</strong> pattern represent<br />

a ravine which is only wooded at <strong>the</strong> upper part,<br />

where <strong>the</strong> trees <strong>of</strong> <strong>the</strong> surrounding jungle are shown.<br />

The vertical lines are <strong>the</strong> trunks <strong>of</strong> <strong>the</strong> trees, <strong>the</strong><br />

curves [^] <strong>the</strong>ir branches, and <strong>the</strong> dots <strong>the</strong>ir leaves.<br />

The boughs at <strong>the</strong> right are leafless. Then follow<br />

two columns <strong>of</strong> leafy trees, and a third (leafless) one<br />

with lianas, orchids, etc., growing upon its dead<br />

branches. Above <strong>the</strong>se, at <strong>the</strong> rim <strong>of</strong> <strong>the</strong> pattern,<br />

<strong>the</strong> signs [^^] represent long rattans and similar<br />

creepers climbing from tree to tree.<br />

The figure is <strong>the</strong> copy <strong>of</strong> a " tuang-tuang " pattern<br />

—a picture <strong>of</strong> <strong>the</strong> forest as <strong>the</strong> draughtsman had<br />

probably <strong>of</strong>ten observed it.^<br />

Fig. 16.—Like Fig. 15 this is only a copy <strong>of</strong> one<br />

<strong>of</strong> <strong>the</strong>se patterns, with which <strong>the</strong> owner absolutely<br />

refused to part. The original was intended to serve<br />

as a charm to assist <strong>the</strong> women in catching small<br />

fish, and at <strong>the</strong> same time to afford <strong>the</strong>m some;<br />

slight protection against poisonous fishes. Towards<br />

<strong>the</strong> left, at <strong>the</strong> bottom, is depicted a big tortoise ; a<br />

little to its right, a small one and a ra<strong>the</strong>r larger<br />

one ;<br />

<strong>the</strong>se three, which typify a male, a female, and<br />

a young one, are meant to symbolise <strong>the</strong> amount<br />

<strong>of</strong> <strong>the</strong> booty. In <strong>the</strong> extreme left-hand (bottom)<br />

corner is a fishing-rod, which is drawn upside down.<br />

The ra<strong>the</strong>r thicker black line represents <strong>the</strong> rod,<br />

<strong>the</strong> black spot near its foot <strong>the</strong> reel, and <strong>the</strong> thinner<br />

line <strong>the</strong> line itself. In <strong>the</strong> centre <strong>of</strong> <strong>the</strong> right-hand<br />

border are to be seen three rice-spoons <strong>of</strong> an ancient<br />

' Z.f. E. xxvi. 185.

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