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The Bible and the Dead Sea Scrolls: The ... - josephprestonkirk

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256 THE DEAD SEA SCROLLS AND THE APOCALYPSE OF JOHN<br />

rhetorical criticism. At this level, a comparison of <strong>the</strong> symbolism in <strong>the</strong><br />

Apocalypse with that in <strong>the</strong> <strong>Dead</strong> <strong>Sea</strong> <strong>Scrolls</strong> is nothing less than a comparison<br />

of <strong>the</strong> <strong>the</strong>ologies, <strong>the</strong> worldviews, <strong>and</strong> <strong>the</strong> underst<strong>and</strong>ings of God<br />

<strong>and</strong> of life that characterize <strong>the</strong>se two bodies of literature. This latter,<br />

broader focus is <strong>the</strong> more exciting <strong>and</strong> more fruitful endeavor for students<br />

of early Judaism <strong>and</strong> students of Christian origins, even if it is <strong>the</strong><br />

more difficult one.<br />

In this essay, I reflect on <strong>the</strong> nature of <strong>the</strong> pursuit itself, identifying<br />

some challenges to <strong>and</strong> limitations of such a study, while defending its<br />

value. I <strong>the</strong>n briefly survey several attempts to underst<strong>and</strong> Revelation in<br />

light of <strong>the</strong> <strong>Dead</strong> <strong>Sea</strong> <strong>Scrolls</strong>. 2 Finally, I look briefly at several specific<br />

symbols in an attempt to underst<strong>and</strong> how <strong>the</strong> scrolls can help us underst<strong>and</strong><br />

<strong>the</strong> New Testament Apocalypse.<br />

LIMITATIONS<br />

Comparative analysis of <strong>the</strong> <strong>Dead</strong> <strong>Sea</strong> <strong>Scrolls</strong> <strong>and</strong> Revelation entails several<br />

inherent problems. <strong>The</strong> first is <strong>the</strong> problem of unequal bodies of literature.<br />

<strong>The</strong> Apocalypse of John is one unified piece of literature written<br />

near <strong>the</strong> end of <strong>the</strong> first century C.E. 3 Its rhetorical situation is focused<br />

enough to identify—at least to conceptualize. In contrast, <strong>the</strong> <strong>Dead</strong> <strong>Sea</strong><br />

<strong>Scrolls</strong> represent a library collection of biblical, parabiblical, <strong>and</strong> nonbiblical<br />

writings written over a period of 1000 years <strong>and</strong> copied over a<br />

period of 200 years. We limit our inquiry to what has usually been called<br />

<strong>the</strong> “sectarian” literature, a term used almost universally, even if it is<br />

somewhat misleading <strong>and</strong> imprecise. But even if we begin with what<br />

most call “sectarian” at Qumran, we are still dealing with literatures<br />

written over a span of many decades, with differing <strong>the</strong>ologies, communities<br />

or audiences, genres, <strong>and</strong> ways of using symbolism. 4<br />

2. <strong>The</strong> comparative value is primarily in one direction: <strong>the</strong> value of <strong>the</strong> <strong>Dead</strong> <strong>Sea</strong><br />

<strong>Scrolls</strong> for underst<strong>and</strong>ing Revelation. <strong>The</strong>re is little value in Revelation for underst<strong>and</strong>ing<br />

<strong>the</strong> <strong>Dead</strong> <strong>Sea</strong> <strong>Scrolls</strong>, unless obliquely, insofar as Revelation does bear witness<br />

to some of <strong>the</strong> trajectories certain symbols took in <strong>the</strong> history of early Judaism.<br />

3. Here nei<strong>the</strong>r am I attempting to make a case for <strong>the</strong> compositional unity of this<br />

document, nor am I simply assuming it. For a recent review of <strong>the</strong> various hypo<strong>the</strong>ses<br />

offered for <strong>the</strong> Apocalypse’s composition history, see David E. Aune, Revelation<br />

1–5 (WBC; Dallas: Word Books, 1997), cv–cxxiv. However, regardless of <strong>the</strong> book’s<br />

compositional history or <strong>the</strong> integrity or artificiality of its present unity, it remains a<br />

single literary work, unlike <strong>the</strong> scrolls.<br />

4. See, e.g., <strong>the</strong> cautions raised by Carol A. Newsom, “Knowing <strong>and</strong> Doing: <strong>The</strong><br />

Social Symbolics of Knowledge at Qumran,” Semeia 59 (1992): 139–53.

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