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The Bible and the Dead Sea Scrolls: The ... - josephprestonkirk

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352 THE MOSES AT QUMRAN<br />

in <strong>the</strong> Thanksgiving Hymns (Hodayot a ) <strong>and</strong> in Num 11:12, a brief sketch of<br />

<strong>the</strong> significant parallels in a Pauline letter (1 <strong>The</strong>ss 2:7–12) <strong>and</strong> <strong>the</strong> Odes<br />

of Solomon (19:1–4) will be offered.<br />

1.1 On <strong>the</strong> Semantic Potency <strong>and</strong> “Models” of Imagery<br />

<strong>The</strong> key role of imagery <strong>and</strong> <strong>the</strong> intricate nature of <strong>the</strong> metaphorical<br />

world have received welcome attention among biblical scholars. 5 James<br />

Barr explains that <strong>the</strong>re is a key relationship between semantics <strong>and</strong> interpretation.<br />

6 Words are not complete semantic units by <strong>the</strong>mselves; ra<strong>the</strong>r,<br />

<strong>the</strong>y have various meanings in differing contexts. <strong>The</strong> whole array of<br />

semantic devices—ranging from simile <strong>and</strong> metaphor to typology <strong>and</strong><br />

allegory—is both essential <strong>and</strong> integral to human expression. Such literary<br />

devices help to express diverse <strong>and</strong> complex matters in fresh <strong>and</strong><br />

lucid ways.<br />

Max Black speaks of two of <strong>the</strong> possible classes of semantic “models”:<br />

scale models (a miniature or representative reproduction of selected features<br />

of <strong>the</strong> “original”) <strong>and</strong> analogue models (a reproduction of <strong>the</strong> “structure or web<br />

of relationships in an original”). 7 “<strong>The</strong> analogue model shares with its original<br />

not a set of features or an identical proportionality of magnitude but,<br />

more abstractly, <strong>the</strong> same structure or pattern of relationships.” 8 It is clear that<br />

<strong>the</strong> use of parental imagery by <strong>the</strong> hymnist (<strong>and</strong> o<strong>the</strong>rs) falls into <strong>the</strong> latter<br />

class of models. Thus <strong>the</strong> parental imagery found in <strong>the</strong> Thanksgiving<br />

Hymns (Hodayot a ) evokes an ethos as well as a whole range of emotions<br />

that are to be understood in <strong>the</strong> framework of a complex web of relationships<br />

that existed at Qumran.<br />

5. Three representative works are: James Barr, <strong>The</strong> Semantics of Biblical Language<br />

(Glasgow: Oxford University Press, 1961); George B. Caird, <strong>The</strong> Language <strong>and</strong> Imagery<br />

of <strong>the</strong> <strong>Bible</strong> (Philadelphia: Westminster, 1980); <strong>and</strong> Peter W. Macky, <strong>The</strong> Centrality of<br />

Metaphors to Biblical Thought: A Method of Interpreting <strong>the</strong> <strong>Bible</strong> (Lewiston, NY: E. Mellen<br />

Press, 1990).<br />

6. Semantics is now approached from various perspectives, including from <strong>the</strong><br />

viewpoints of philosophy (e.g., a seminal work by Max Black, Models <strong>and</strong> Metaphors:<br />

Studies in Language <strong>and</strong> Philosophy [Ithaca: Cornell University Press, 1962]) <strong>and</strong> linguistics<br />

(so, Barr, <strong>The</strong> Semantics of Biblical Language).<br />

7. Black, Models <strong>and</strong> Metaphors, 219–23; 222; emphasis added.<br />

8. Ibid., 223; emphasis added.

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