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The Bible and the Dead Sea Scrolls: The ... - josephprestonkirk

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PHILIP R. DAVIES 229<br />

an assembly of nations for destruction without remnant” (14.5).<br />

References to “Belial” <strong>and</strong> “Children of Darkness” toward <strong>the</strong> end of <strong>the</strong><br />

column suggest, however, that this piece has been edited in a dualistic<br />

direction (14.9, 17). (This is not a convenient speculation, for a parallel<br />

text of <strong>the</strong> hymn from Cave 4 lacks any sectarian vocabulary at all.)<br />

<strong>The</strong> final section, columns 15–19, describes a seven-stage battle in<br />

which <strong>the</strong> forces of light <strong>and</strong> darkness are alternately successful. <strong>The</strong><br />

battle sequences are developed from those of columns 7–9 <strong>and</strong> simply<br />

repeated <strong>the</strong> necessary number of times. But interspersed are framing<br />

passages, speeches, <strong>and</strong> hymns that sustain <strong>the</strong> dualistic presentation.<br />

<strong>The</strong> opening speech of <strong>the</strong> priests is not that from Deuteronomy but a<br />

short discourse on <strong>the</strong> character of <strong>the</strong> enemy.<br />

<strong>The</strong> text presents <strong>the</strong> battle as taking place according to a precise <strong>and</strong><br />

preordained plan, according to which even <strong>the</strong> enemy falls dead at <strong>the</strong><br />

required moment. Yet in <strong>the</strong> second engagement, <strong>the</strong> children of darkness<br />

rally <strong>and</strong> <strong>the</strong> forces of light withdraw. This necessitates ano<strong>the</strong>r speech<br />

(16.15–17.9), explaining that <strong>the</strong> righteous slain have fallen “according to<br />

<strong>the</strong> mysteries of God,” <strong>and</strong> that <strong>the</strong> final victory is never<strong>the</strong>less assured.<br />

<strong>The</strong> setback is a “test”: God will send help. But this help apparently<br />

comes in <strong>the</strong> person of <strong>the</strong> heavenly prince Michael. It is to be assumed<br />

that Michael <strong>and</strong> <strong>the</strong> “Prince of light” are here identified, but although<br />

Michael is <strong>the</strong> agent of Israel’s deliverance in <strong>the</strong> book of Daniel, <strong>the</strong><br />

“Prince of light” is generally unnamed.<br />

In column 18, <strong>the</strong> final victory is described, as “Asshur,” <strong>the</strong> “children<br />

of Japhet,” <strong>and</strong> <strong>the</strong> Kittim are finally routed by <strong>the</strong> “great h<strong>and</strong> of God”<br />

(18.1). Perhaps in a reminiscence of <strong>the</strong> battle of Aijalon near Gibeon in<br />

Joshua 10, as <strong>the</strong> sun hastens (or does not hasten—<strong>the</strong>re is a gap in <strong>the</strong><br />

text), a final blessing of <strong>the</strong> “God of Israel” is uttered (18.6). Next comes<br />

<strong>the</strong> hymn earlier given in column 12, glorifying God as <strong>the</strong> “glorious<br />

king” (19.1) whose sword “devours flesh” (19.4). Whe<strong>the</strong>r or not <strong>the</strong> War<br />

Scroll originally ended here, or shortly after, is unknown, but <strong>the</strong> extant<br />

text concludes aptly with ascription of victory to God.<br />

Evaluation<br />

<strong>The</strong> War Scroll is curious not only in its literary complexity <strong>and</strong> its not<br />

always elegant combination of so many different ideological perspectives.<br />

It displays two particularly interesting paradoxes. One is its ra<strong>the</strong>r clumsy<br />

overlaying of an ethical/sectarian perspective over a nationalistic one. But<br />

this is a feature shared by a great deal of early Jewish literature. One suspects

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