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The Bible and the Dead Sea Scrolls: The ... - josephprestonkirk

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BRENT A. STRAWN 145<br />

were composed, copied, read, “performed,” <strong>and</strong> used. 146 <strong>The</strong>y are manuscripts—not,<br />

in <strong>the</strong> modern reified sense, “texts.” 147 But even if <strong>the</strong> <strong>Dead</strong><br />

<strong>Sea</strong> <strong>Scrolls</strong> are treated in a modern way as “texts,” that does not make<br />

<strong>the</strong>ir form <strong>and</strong> content any less subject to <strong>the</strong> ideology of <strong>the</strong> community<br />

that held <strong>the</strong>m as precious. 148 It seems that, in <strong>the</strong> case of <strong>the</strong> biblical<br />

scrolls which have often been <strong>the</strong> purview of textual critics, <strong>the</strong>se communal,<br />

rhetorical, ideological, <strong>and</strong> cultural-artifactual aspects of <strong>the</strong><br />

scrolls have been woefully neglected <strong>and</strong> understudied; <strong>and</strong> yet, in <strong>the</strong><br />

light of <strong>the</strong> benefits apparent from recent socially minded work in codicology<br />

<strong>and</strong> papyrology, 149 it is apparent that attention to such aspects<br />

would pay significant dividends for <strong>the</strong> biblical scrolls, 150 as it has for<br />

study of <strong>the</strong> “nonbiblical” scrolls. 151<br />

4. <strong>The</strong> last point raises again <strong>the</strong> issue of genre <strong>and</strong> <strong>the</strong> continuum of<br />

kinds of documents/compositions at Qumran. When <strong>the</strong>se are considered<br />

146. I am indebted to Steve Delamarter for discussions on this point. Among<br />

Delamarter’s work, see “<strong>The</strong> Sociology of Ethiopian Scribal Communities: A<br />

Preliminary Report” (paper presented at <strong>the</strong> international meeting of <strong>the</strong> Society of<br />

Biblical Literature, Groningen, Ne<strong>the</strong>rl<strong>and</strong>s, June 2004); <strong>and</strong> “Communities of Faith<br />

<strong>and</strong> <strong>The</strong>ir <strong>Bible</strong>s: A Sociological Typology” (paper presented at <strong>the</strong> West Coast <strong>Dead</strong><br />

<strong>Sea</strong> <strong>Scrolls</strong> Workgroup, Vancouver, Canada, October 2004). I thank Delamarter for<br />

sharing both of <strong>the</strong>se essays with me.<br />

147. See David C. Parker, <strong>The</strong> Living Text of <strong>the</strong> Gospels (Cambridge: Cambridge<br />

University Press, 1997), who is especially helpful in beginning to think differently<br />

about “texts,” manuscripts, <strong>and</strong> copies.<br />

148. See <strong>the</strong> ground-breaking study of Carol A. Newsom, <strong>The</strong> Self as Symbolic Space:<br />

Constructing Identity <strong>and</strong> Community at Qumran (STJD 52; Leiden: Brill, 2004).<br />

149. Note esp., e.g., Michelle P. Brown, <strong>The</strong> Lindisfarne Gospels: Society, Spirituality <strong>and</strong><br />

<strong>the</strong> Scribe (Toronto: University of Toronto Press, 2003), esp. 71, 193, 200–71,<br />

397–402; <strong>and</strong> Alan D. Crown, Samaritan Scribes <strong>and</strong> Manuscripts (TSAJ 80; Tübingen:<br />

Mohr Siebeck, 2001). I am grateful to Steve Delamarter for discussions on medieval<br />

codicology <strong>and</strong> for bringing several key works, including <strong>the</strong>se two, to my attention.<br />

Note also Colette Sirat, Hebrew Manuscripts of <strong>the</strong> Middle Ages (Cambridge: Cambridge<br />

University Press, 2002).<br />

150. This work is beginning to take place. Note <strong>the</strong> new monograph by Emanuel<br />

Tov, which was unfortunately unavailable to me at <strong>the</strong> time of this writing: Scribal<br />

Practices <strong>and</strong> Approaches Reflected in <strong>the</strong> Texts Found in <strong>the</strong> Judean Desert (STDJ 54; Leiden:<br />

Brill, 2004); as well as <strong>the</strong> two volumes in <strong>the</strong> series, <strong>The</strong> <strong>Bible</strong> as Book: Edward D.<br />

Herbert <strong>and</strong> Emanuel Tov, eds., <strong>The</strong> <strong>Bible</strong> as Book: <strong>The</strong> Hebrew <strong>Bible</strong> <strong>and</strong> <strong>the</strong> Judaean<br />

Desert Discoveries (London: <strong>The</strong> British Library <strong>and</strong> Oak Knoll Press, 2002); <strong>and</strong> John<br />

L. Sharpe <strong>and</strong> Kimberly Van Kampen, eds., <strong>The</strong> <strong>Bible</strong> as Book: <strong>The</strong> Manuscript Tradition<br />

(London: <strong>The</strong> British Library <strong>and</strong> Oak Knoll Press, 1998)—note esp. Tov’s essay,<br />

“Scribal Practices <strong>and</strong> Physical Aspects of <strong>the</strong> <strong>Dead</strong> <strong>Sea</strong> <strong>Scrolls</strong>,” in <strong>the</strong> 1998 volume<br />

(9–33). Prior to this more recent work <strong>the</strong> mainstay was Malachi Martin, <strong>The</strong> Scribal<br />

Character of <strong>the</strong> <strong>Dead</strong> <strong>Sea</strong> <strong>Scrolls</strong> (2 vols.; Bibliothèque du Muséon 44–45; Louvain:<br />

University of Louvain, 1958).<br />

151. See, e.g., Newsom, <strong>The</strong> Self as Symbolic Space, though her work is rhetorically<br />

based, not codicological or papyrological.

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