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The Bible and the Dead Sea Scrolls: The ... - josephprestonkirk

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BRENT A. STRAWN 127<br />

though it must be admitted that this could simply be <strong>the</strong> accidental<br />

results of preservation. 96 <strong>The</strong> most important (necessary) element—that<br />

of excerpted form—is present, but one cannot be sure of its meaning or<br />

even its actual attestation given <strong>the</strong> state of preservation, <strong>the</strong> lack of corroborative<br />

elements, <strong>and</strong>, in fact, <strong>the</strong> absence of at least one of <strong>the</strong> default<br />

or optional elements (smaller size).<br />

Similarly, to return to <strong>the</strong> Megilloth, one cannot be certain if <strong>the</strong>ir<br />

smaller size always <strong>and</strong> invariably indicates an excerpted manuscript of<br />

some sort, even if <strong>the</strong> scrolls can be shown to contain only one particular<br />

book. 97 Even so, <strong>the</strong> fragmentary nature of our evidence, given poor preservation,<br />

counsels caution in <strong>the</strong> o<strong>the</strong>r direction as well. Small sized manuscripts (see<br />

Table 3; cf. Table 4), especially from multiple-copy documents (see Table<br />

5) are a natural place to expect possible excerption. One cannot <strong>and</strong><br />

must not simply assume that such manuscripts are excerpted, but one<br />

must guard equally against assuming too confidently that <strong>the</strong>y certainly<br />

included <strong>the</strong> whole composition that <strong>the</strong>y reflect. 98 Without fur<strong>the</strong>r evidence,<br />

one simply cannot be sure: perhaps such manuscripts are simply<br />

poorly preserved scrolls that once contained a version of <strong>the</strong> entire composition;<br />

alternatively, <strong>and</strong> perhaps equally as likely, such manuscripts were<br />

excerpted from a base text of <strong>the</strong> composition. <strong>The</strong>se comments are leading<br />

to <strong>the</strong> <strong>the</strong>oretical, text-critical question outlined above, especially with<br />

regard to <strong>the</strong> usefulness of <strong>the</strong> excerpted manuscripts in <strong>the</strong> text-critical<br />

enterprise. Before addressing that vexed issue, however, one final caveat<br />

is in order with reference to <strong>the</strong> discussion of genre.<br />

h. A Continuum of Text Types? Or: Genre, Once Again<br />

Cognitive <strong>the</strong>ories of genre underscore that genre is something of a moving<br />

target <strong>and</strong> that genre is created, discovered, <strong>and</strong> found in interpretation<br />

as much as it is recognized from what is already manifest in <strong>the</strong> text<br />

96. So, e.g., Judith E. S<strong>and</strong>erson, “73. 4QEzek a ,” in Qumran Cave 4.X: <strong>The</strong> Prophets<br />

(ed. E. Ulrich et al.; DJD 15; Oxford: Clarendon, 1997), 210, who intimates that <strong>the</strong><br />

scroll originally contained <strong>the</strong> whole book of Ezekiel in a manuscript of 47 columns<br />

of ca. 42 lines each. Notably, S<strong>and</strong>erson’s conclusions rest solely on reconstruction.<br />

97. <strong>The</strong> scrolls containing Psalm 119 are different from those of <strong>the</strong> Megilloth,<br />

partly because this psalm is always written stichometrically at Qumran (see Tov,<br />

“Excerpted <strong>and</strong> Abbreviated,” 590) <strong>and</strong> thus <strong>the</strong>re is additional scribal evidence for<br />

<strong>the</strong> importance of this composition. <strong>The</strong> psalms as a genre/form also commend a<br />

liturgical Sitz im Leben of some sort. Cf. note 93 above.<br />

98. <strong>The</strong> latter point is contra <strong>the</strong> remarks of Brooke, “Ezekiel in Some Qumran <strong>and</strong><br />

New Testament Texts,” 317.

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