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The Bible and the Dead Sea Scrolls: The ... - josephprestonkirk

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276 THE DEAD SEA SCROLLS AND THE APOCALYPSE OF JOHN<br />

witness, as Rev 3:21; 12:11; <strong>and</strong> 19:8 make clear. This washing is a piece<br />

of symbolism drawn from <strong>the</strong> holy war tradition (1QM 14.2–3).<br />

However, what in <strong>the</strong> scrolls is a washing of <strong>the</strong> robes to remove sinful<br />

Gentiles’ blood is in <strong>the</strong> Apocalypse <strong>the</strong> (white-)washing of robes in <strong>the</strong><br />

blood of <strong>the</strong> Lamb. This explanation “achieves, by its startling paradox,<br />

a decisive reinterpretation of <strong>the</strong> holy war motif.” 66 <strong>The</strong> Qumran scrolls<br />

also use garments in a symbolic way (1QS 4.8; cf. 1QM 14.2–3), but not<br />

to <strong>the</strong> same effect.<br />

<strong>The</strong> Angelic Liturgy (4Q400–407; 11Q17) provides some interesting parallels<br />

with Revelation. Besides its fragmented view of a heavenly temple,<br />

<strong>the</strong> expressions of praise in <strong>the</strong> Liturgy are somewhat similar to <strong>the</strong> expressions<br />

of praise in Revelation—especially in chapters 4–5. In both writings<br />

<strong>the</strong> temple itself is animate, <strong>and</strong> both speak of silence in heaven. 67<br />

<strong>The</strong>re are also many “false parallels” between <strong>the</strong> scrolls <strong>and</strong><br />

Revelation. For instance, <strong>the</strong> detailed description of <strong>the</strong> woman in labor<br />

who bears a male child in Revelation 12 may invite consideration of <strong>the</strong><br />

woman in labor who bears a male child in 1QH 11.7b–18. However, in<br />

1QH <strong>the</strong> woman <strong>and</strong> her labor serve as symbols of <strong>the</strong> writer’s own distress,<br />

<strong>and</strong> <strong>the</strong> male child plays a ra<strong>the</strong>r insignificant role. Never<strong>the</strong>less,<br />

both <strong>the</strong> mo<strong>the</strong>r in distress <strong>and</strong> <strong>the</strong> child who is born safely through distress<br />

serve as symbols of salvation through tribulation.<br />

CONCLUSION<br />

<strong>The</strong>re are many points of similarity as well as many points of difference<br />

between <strong>the</strong> scrolls <strong>and</strong> <strong>the</strong> Apocalypse of John. <strong>The</strong> Apocalypse perhaps<br />

more consciously creates <strong>and</strong> develops <strong>the</strong> symbolic world, <strong>and</strong> it has <strong>the</strong><br />

“advantage” of being a single work written or edited in a short period of<br />

time. We see such conscious symbolism in <strong>the</strong> apocalyptic narrative of<br />

<strong>the</strong> throne room scene in Revelation 4–5. <strong>The</strong>re a lion is introduced, but<br />

what appears is a st<strong>and</strong>ing, slaughtered lamb with seven eyes <strong>and</strong> seven<br />

horns. This lamb <strong>the</strong>n goes to <strong>the</strong> One seated on <strong>the</strong> throne <strong>and</strong> takes<br />

out of his right h<strong>and</strong> a scroll sealed with seven seals. This is all a highly<br />

creative <strong>and</strong> self-conscious use of symbolism in a style seldom<br />

approached in <strong>the</strong> Qumran scrolls, except, perhaps in <strong>the</strong> Angelic Liturgy.<br />

cf. also 19:8). Probably <strong>the</strong> latter idea is not that <strong>the</strong>ir deaths atone for <strong>the</strong>ir sins, but<br />

that <strong>the</strong> moral probity of <strong>the</strong>ir lives as faithful witnesses is sealed in <strong>the</strong>ir martyrdom<br />

<strong>and</strong> is <strong>the</strong>ir active participation in <strong>the</strong> redemption won for <strong>the</strong>m by Christ (1:5b)”;<br />

Bauckham, Climax of Prophecy, 229.<br />

66. Bauckham, ibid., 227.

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