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reynolds-the-quran-in-its-historical-context-2

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148 Gerd-R. Pu<strong>in</strong>The orthography of<strong>the</strong> Standard.Text is full of <strong>in</strong>consistencies, as if <strong>the</strong>y became.petrified at a time when an orthographic reform had started but had not yet become . •effective <strong>in</strong> <strong>the</strong> whole Qur'an. Of course, Muslim scholars like Ibn Abi Dawildal-Sijisti<strong>in</strong>i (d. 316/928), al-Di<strong>in</strong>i (d. 444/1052), and later Ibn al-Jazari .(d. 833/1429) and al-Suyi1ti (d. 91111505), or even modem scholars like AI Imam,were aware of this situation, and <strong>the</strong>y wrote down eclectic observations on <strong>the</strong>Qur' anic orthography of this or that word <strong>in</strong> this or that verse. Although <strong>the</strong> <strong>in</strong>tentionof those old authorities might have been to limit <strong>the</strong> extent of variant writ<strong>in</strong>gs(and read<strong>in</strong>gs) <strong>the</strong>y were not able to realize <strong>the</strong> dynamic development of Arabicorthography as a process of accumulation and grow<strong>in</strong>g precision <strong>in</strong> <strong>the</strong> scripturalrender<strong>in</strong>g. Their <strong>the</strong>ory about <strong>the</strong> defective writ<strong>in</strong>g of words was to see <strong>the</strong>phenomenon as a convention of <strong>the</strong> scribes <strong>in</strong> order to make <strong>the</strong> script ·~shorter"-to take away someth<strong>in</strong>g "superfluous (zii 'id)," to write it "defectively I badhf"- which tacitly implies that <strong>the</strong> plene writ<strong>in</strong>g accord<strong>in</strong>g to <strong>the</strong> rules of Classical ·Arabic were <strong>the</strong> orig<strong>in</strong>al "mo<strong>the</strong>r of <strong>the</strong> book I umm al-kitiib" (Q 13:39; 43:4) <strong>in</strong>··heaven, on <strong>the</strong> "preserved tablet I law/:1 mabfo?" (Q 85:22).However, <strong>the</strong> orthographic variants <strong>in</strong> a corpus which has treasured up so many ·pre-classical elements enable us to discover many details of <strong>the</strong>ir orthographichistory- all <strong>the</strong> more so if we take <strong>the</strong> early manuscripts of <strong>the</strong> Qur'an <strong>in</strong>to·account, because, for lack of a critical edition of <strong>the</strong> Qur'an, we cannot rightly be ·sure that <strong>the</strong> Standard Text is really <strong>the</strong> "rasm 'Uthmi<strong>in</strong>f", i.e. <strong>the</strong> earliest possible .shape of <strong>the</strong> text. ·Therefore, <strong>the</strong> idea of this chapter is not to look back from <strong>the</strong> orthography of ··Classical (or modem) Arabic which has become (mostly) explicit or plene, but on ·•<strong>the</strong> contrary to follow up <strong>the</strong> steady enrichment of <strong>the</strong> Arabic script (as encountered<strong>in</strong> <strong>the</strong> earliest manuscripts) by <strong>the</strong> <strong>in</strong>vention or application of new signs and devices.Generally and until today <strong>the</strong>re has been no need for a differentiation <strong>in</strong> <strong>the</strong> .rasm between <strong>the</strong> vocalizations of <strong>the</strong> a/if at <strong>the</strong> outset of a word: !) 'akhim, .!J-1 .'ukhtun, tjJ-1 'ikhwatun. This is <strong>the</strong> normal or evident case for those who arefamiliar with <strong>the</strong> vocabulary and <strong>the</strong> grammar of Arabic. Yet <strong>the</strong> Qur' an is not an"ord<strong>in</strong>ary" text! Naturally, and <strong>in</strong> spite of <strong>its</strong> complicated structure, <strong>the</strong> text had tobe represented <strong>in</strong> script on <strong>the</strong> one hand, but disambiguated on <strong>the</strong> o<strong>the</strong>r, if <strong>the</strong>written shape was -or became <strong>in</strong> <strong>the</strong> course of time- mislead<strong>in</strong>g.An important <strong>in</strong>strument for <strong>the</strong> def<strong>in</strong>ition of a vowel's quality was <strong>the</strong> <strong>in</strong>sertionof matres ledionis, i.e. (ma<strong>in</strong>ly) of<strong>the</strong> vowel letters wiiw andyii ',next to <strong>the</strong>a/if, <strong>in</strong> order to specify <strong>the</strong> a/if's phonetic quality. Of course, <strong>the</strong>ir use was alreadycommon for <strong>the</strong> def<strong>in</strong>ition of <strong>the</strong> long vowels

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