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Nr. 3 (28) anul VIII / iulie-septembrie 2010 - ROMDIDAC

Nr. 3 (28) anul VIII / iulie-septembrie 2010 - ROMDIDAC

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Murakami, Fuminobu. Postmodern, Feminist and Postcolonial Currents in<br />

Contemporary Japanese Culture. New York: Routledge, 2005.<br />

Murakami. Haruki. Norwegian Wood. Trans. Jay Rubin. London: Harvill Press,<br />

2001.<br />

-----------------------. South of the Border, West of the Sun. Trans. Philip Gabriel.<br />

London: Vintage, 2003.<br />

-----------------------. Sputnik Sweetheart. Trans. Philip Gabriel. London: Vintage,<br />

2002.<br />

-----------------------. The Wind-Up Bird Chronicle. Trans Jay Rubin. New York:<br />

Knopf, 1997.<br />

Rubin, Jay. “Murakami Haruki’s Two Poor Aunts Tell Everything They Know About<br />

Sheep, Wells, Unicorns, Proust, Elephants and Magpies”. Ōe and Beyond: Fiction in<br />

Contemporary Japan. Eds. Stephen Snyder, J Philip Gabriel. Honolulu: University of<br />

Hawaii Press, 1999.<br />

Ex Ponto nr.3, <strong>2010</strong><br />

1. Haruki Murakami, Norwegian Wood, trans. Jay Rubin (London: Harvill Press,<br />

2001), p.7. All further references will point to this edition and will be given parenthetically<br />

in the text as NW, followed by page number.<br />

2. Idem, South of the Border, West of the Sun, trans. Philip Gabriel (London:<br />

Vintage, 2003), p. 154. All further references will point to this edition and will be given<br />

parenthetically in the text as SBWS, followed by page number.<br />

3. Jonathan Dil, “Woman as Symptom and the Void at the Heart of Subjectivity: A<br />

Lacanian Reading of Murakami Haruki’s ‘The Wind-up Bird Chronicle’ “, 30 Nov 2009,<br />

10 April <strong>2010</strong>, < http://www.japanesestudies.org.uk/articles/2009/Dil.html><br />

4. Ibidem<br />

5. Haruki Murakami, The Wind-Up Bird Chronicle, trans Jay Rubin (New York:<br />

Knopf, 1997), p 290.<br />

6. Jay Rubin, “Murakami Haruki’s Two Poor Aunts Tell Everything They Know About<br />

Sheep, Wells, Unicorns, Proust, Elephants and Magpies”, Ōe and Beyond: Fiction in<br />

Contemporary Japan. Eds.Stephen Snyder, J Philip Gabriel (Honolulu: University of<br />

Hawaii Press, 1999), p. 195.<br />

7. Ibidem<br />

8. Fuminobu Murakami, Postmodern, Feminist and Postcolonial Currents in<br />

Contemporary Japanese Culture (New York: Routledge, 2005), p. 53.<br />

9. Ibidem, p. 52.<br />

10. Toshio Kawai, “The novels of Haruki Murakami”, The Cultural Complex:<br />

Contemporary Jungian Perspectives on Psyche and Society. Eds. Thomas Singer,<br />

Samuel Kimbles (New York: Brunner-Routledge, 2004), p. 90.<br />

11. Roger Luckhurst, “Mixing memory and desire: psychoanalysis, psychology<br />

and trauma theory”, Literary Theory and Criticism, Ed. Patricia Waugh (Oxford: Oxford<br />

University Press, 2006), p. 500.<br />

12. Haruki Murakami, After Dark ,trans. Jay Rubin (London: Harvill Secker, 2007),<br />

p. 134.<br />

13. Jean Baudrillard, Simulacra and Simulation, trans. Sheila Faria Glaser (Ann<br />

Arbor: University of Michigan Press, 1994), p 1<br />

14. Richard J. Lane, Jean Baudrillard, (London and New York: Routledge, 2001),<br />

pp.86-87.<br />

15. Haruki Murakami, Sputnik Sweetheart, trans. Philip Gabriel (London:<br />

Vintage, 2002), p. 170. All further references will point to this edition and will be given<br />

parenthetically in the text as SS, followed by page number.<br />

16. Toshio Kawai, op. cit, p. 93.<br />

174

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