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The legends of the Panjâb

The legends of the Panjâb

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X<br />

PEEFAOE,<br />

for payment, but, many as <strong>the</strong> vices and faults <strong>of</strong> <strong>the</strong>se people<br />

are, avarice is not one <strong>of</strong> <strong>the</strong>m.<br />

<strong>The</strong> bhat, <strong>the</strong> mirdsi, <strong>the</strong> hliaraiii,<br />

tiie jogl, <strong>the</strong> faqir and all <strong>of</strong> that ilk are in truth but a sorry<br />

set <strong>of</strong> drunkards as<br />

a rule—tobacco, opium, and a little food<br />

sufficing for <strong>the</strong>ir daily wants, and I have found that a small<br />

payment, say one or two rupees for each separate song, and<br />

<strong>the</strong>ir keep in<br />

food and an abundance <strong>of</strong> <strong>the</strong>ir favourite drugs<br />

while employed, has amply Ba,tisfied <strong>the</strong>m, and in some cases<br />

has been inducement sufficient to send o<strong>the</strong>r <strong>of</strong> <strong>the</strong>ir<br />

to me.<br />

brethren<br />

One man, whose stories are duly recorded in <strong>the</strong> pages<br />

<strong>of</strong> this book, would recite nothing until he had imbibed enough<br />

opium to kill an ordinary human being. In <strong>the</strong> case <strong>of</strong><br />

<strong>the</strong> more respectable people, as <strong>the</strong> Brahman swang singers and<br />

<strong>the</strong> priests <strong>of</strong> <strong>the</strong> low castes—a small payment and a chit—that<br />

letter <strong>of</strong> commendation in which every native seems to have<br />

such an extraordinary fanatical faith—is all that is necessary.<br />

Sometimes <strong>the</strong> latter only suffices, and when <strong>the</strong> performer<br />

is <strong>the</strong> paid retainer <strong>of</strong> a chief it is a necessary adjunct to any<br />

payment that may have been made.<br />

We now come to <strong>the</strong> actual recording. By far <strong>the</strong> largest<br />

portion <strong>of</strong> <strong>the</strong> Legends have been recorded under my own<br />

superintendence, but several have been communicated through<br />

<strong>the</strong> kindness <strong>of</strong> o<strong>the</strong>rs duly acknowledged in <strong>the</strong> proper<br />

place. All <strong>the</strong>se last have been sent me in vernacular MSS.<br />

taken down by a native, and I have reason to believe<br />

<strong>the</strong>m to be accurate. My own procedure is this :—when once<br />

<strong>the</strong> bard has begun <strong>the</strong>re is nothing for it but to let him go<br />

straight through his poem and write down after him whatever<br />

he says, sense or nonsense. To stop him in order to make<br />

him explain himself is fatal. He becomes thrown out and<br />

confused, and is apt to lose his head and forget <strong>the</strong> verses.<br />

any case he would have to hark back before he could go on<br />

again, and much time would be lost over each interruption.<br />

A bard will go through about 300 to 400 lines at a time and<br />

<strong>the</strong>n have a rest, and this, by <strong>the</strong> way, is as much as an<br />

ordinary man can with comfort write at a sitting.<br />

In<br />

<strong>The</strong> recitation<br />

done, <strong>the</strong> MS. is carefully read over to him, and <strong>the</strong>n

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