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SEXIS WRONG

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tions that last ten to twenty minutes.<br />

Spiritual arousal at revivals, however, was not always limited to<br />

God and the individual worshiper. In 1873 D.J. Davis recorded<br />

his experience of old-time American camp meetings: “Those<br />

who think that a camp-meeting is no place for love-making<br />

are very much mistaken. When passions were aroused and<br />

moral restraints gave way for miles around the camp hundreds<br />

of couples could be seen prowling around in search of<br />

some cozy spot.” (History of the City of Memphis, p 173, as<br />

quoted in Sex and Race by J.A. Rogers.) Rogers con tinued<br />

with this explanation: “Since the camp-meeting<br />

was a primitive affair, those human beings who<br />

were nearest to original Nature, were the leaders,<br />

thus the chief stirrers of the sexio-religious emotions of the<br />

whites were Negroes, most of whom could neither read nor<br />

write. Surcharged with primordial feeling, these totally illiterate<br />

blacks would whip their white audiences to the heights of<br />

frenzy” (p 331). In small towns, lacking more sophisticated<br />

meeting places, the back rows of tent revivals were popular<br />

cruising spots for both gay men and heterosexual prostitutes<br />

during the 1950s and 1960s.<br />

Trial attorneys are another group of speakers who seem to<br />

project sexual chemistry. These people have to deliver intense<br />

emo tional pleas in defense of clients. This responsibility<br />

and strong emotional display sometimes induces erection<br />

in male attor neys. They are often warned by their pro fessors<br />

not to fixate on a female juror because she can pick up on the<br />

sexual energy and feel uncomfortable.<br />

Kokigami<br />

Kokigami (koki: a cloth worn around the waist by Japanese<br />

actors and used as a prop; gami: paper) is the art of wrapping<br />

the penis in a paper costume. The eighth-century Japanese<br />

aristocrats prac ticed the art of Tsutsumi, or packaging. A man<br />

would wrap his organ with silk and ribbons in complex and<br />

intricate designs, and upon entering the bed chamber, offer it<br />

as a gift to his lover. He then enjoyed the physical sensations<br />

as she care fully unwrapped her prize.<br />

Today, the authors Busch and Silver have invented a similar<br />

Coitus à unda refers to sex in water.<br />

form of art. However, instead of ribbons, paper is used as a<br />

disguise or cos tume. The lovers then act out their roles based<br />

on the type of figure selected. There are geese, fish, squid,<br />

and dragons. Busch and Silver, in their book of Kokigami cutouts,<br />

suggest the following dialogue and play for the latter:<br />

“The crafty Dragon likes to breathe his fire into the dark jeweled<br />

cave. Ravaging, vengeful, sly.... ‘Where are my precious<br />

jewels? My treasures? My trophies? Are they hidden there in<br />

your dark cave?’ The Reply: ‘Come on, hot stuff! Careful the<br />

iron gates don’t snap shut and sever your burning tongue!’...<br />

With arms outstretched and fingers curled like claws, move<br />

forward warily with the knees bent. The hips may be flicked<br />

about spasmodically accompanied by the low seductive roar<br />

of a raging furnace.” (Kokigami: The Intimate Art of the Little<br />

Paper Costume by Heather Busch and Burton Silver, p 18.)<br />

The ability to emotionally or sexually arouse an audience appears<br />

to be necessary; without it an audience will not respond<br />

to the desires of the speaker, whether this is to purchase an<br />

object, convert, volunteer, or change their position on an issue.<br />

Speeches that are about sex do not have to condone it. Often<br />

the guilt associated with a minister’s admonitions against this<br />

“vile” act can create greater arousal than a lecture discussing<br />

its merits.<br />

Kabazzah<br />

(Pompoir; Kegel exercises; Snapping pussy.) Kabazzah is<br />

translated as “holder” and refers to the Eastern technique<br />

where the male partner is passive and the female uses only<br />

abdominal and vaginal muscle contractions to “milk” the penis.<br />

Both partners simply relax and enjoy the sensations of the<br />

union while she moves her muscles. Women train for years<br />

before becoming proficient. It is a form of Tantra designed to<br />

increase and enhance time spent with a loved one. There are<br />

still some Eastern prostitutes who have this expertise.<br />

The Japanese also used samurai face masks over the groin<br />

region with a dildo protruding as the nose. Those not interested<br />

in artificial phalli cut out the nose and put their own<br />

penis through it.<br />

Nasophilia<br />

Nasophilia (naso: nose; philia: attachment to) refers to arousal<br />

from the sight, touch, or act of licking or sucking a partner’s<br />

nose. The reasons people are enamored with this activity<br />

varies. Eskimos rub noses when greeting others, and Sioux<br />

Indians traditionally rub noses to express affection; they do<br />

this just as other cultures kiss on the lips.<br />

Magnus Hirschfeld related the case of a young writer who<br />

made wax noses and put them over his own, admired himself<br />

in the mirror, and with a “slight manual manipula tion he<br />

brought about an ejaculation.” Another would hire a gay prostitute,<br />

take him home, and, having placed a wooden clip on<br />

his nose, have the prostitute pull on an attached string while<br />

saying, “I hope this nose is going to be so big that everybody<br />

will be surprised at it.” This was necessary to induce orgasm.<br />

CAT-FIGHTING, EYE-LICKING, HEAD-SITTING, AND STATUE-SCREWING 125

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