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The Man Who<br />
Screwed Things Up<br />
Stephen J. Gertz<br />
Given the ubiquitous nature of pornography in contemporary<br />
American culture, one could easily assume that obscenity is<br />
legal in this country. It is not. Legally, the notion of what is<br />
obscene in the US has been muddy from the get-go, but by<br />
1966 the Supreme Court had loosened censorship with an<br />
awkward yet liberal heuristic. In 1973, one man threw a monkey<br />
wrench into that formula, with dire results predicted. He<br />
was THE MAN WHO SCREWED THINGS UP.<br />
But the long-term result of his actions and the Court’s ruling<br />
would allow technology to make a mockery of the Supremes<br />
and usher in the modern universe of porn. Who was this forgotten,<br />
unlikely hero?<br />
“He [was] a paranoid schizophrenic.”<br />
“[He had] very little sense of right and wrong.”<br />
“He [had] a violent temper.”<br />
“He [was] tricky in business.”<br />
“I held him in great contempt.”<br />
“He didn’t care about anything except making money.”<br />
“A thief and a gonif!”<br />
“He’s a creep.”<br />
“I think he worked out of a phone booth.”<br />
These are some of the nicer things that have been said about<br />
1960s pornographer Marvin Miller, one of the more colorful<br />
individuals in a business bursting with them, a man who, if<br />
he’d been known to nineteenth-century British philosopher<br />
Herbert Spencer, would have been Exhibit One in his case for<br />
social Darwinism. For Miller—the first of the porn fast-buck<br />
artists of the era, impresario of Collector’s Publications, for a<br />
few years a leading porn house—was a fierce survivor who,<br />
no matter what degree of material comfort he would gain in<br />
his adult life, would forever be haunted by a Dickensian youth.<br />
He was the Oliver Twist of the porn business, albeit Oliver<br />
Twisted, an Artful Dodger who grew into a porn-Fagin with a<br />
fondness for silk underwear.<br />
He was born in the slums of Chicago to a widowed mother<br />
who was mentally ill and on relief. He and his older brother often<br />
went hungry. Stability was a foreign concept. Marvin was<br />
an erratic, wild kid, raising himself, but five-year-olds make<br />
lousy parents. His violent temper was already manifesting<br />
itself. He hated to be crossed. His first experience with law<br />
enforcement occurred when he was six: He robbed a bakery<br />
shop for something to eat. Busted, he became the responsibility<br />
of Jewish Welfare, which arranged for his placement in a<br />
foster home. His first. He was sent to school. Nightmare time<br />
for the faculty. He was, to be charitable, a difficult child.<br />
“It was like this,” he remembered to journalist and novelist<br />
Carolyn See. “If a teacher would ever hit me, I’d hit her back.<br />
I’d scream and holler, I’d kick the wall and I’d kick her.” 1<br />
His behavior in the first foster home set a pattern for the rest<br />
of his life. “I was an angel as long as I got what I wanted.” 2<br />
The couple that took in Marvin subsequently grew attached<br />
to him, and for a few years he experienced some degree of<br />
stability and affection, a modicum of family life. He got what<br />
he wanted. He was an angel. But the woman grew sick, and<br />
the couple had to give him up. He was ten.<br />
Next stop, the University of Chicago’s showcase boarding<br />
school for underprivileged kids, where it was discovered<br />
that Marvin possessed an almost idiot-savant-like ability in<br />
math. He was intellectually precocious, a boy-genius, and<br />
the recognition he gained focused him. He became a learning<br />
sponge, absorbing everything the faculty threw at him,<br />
spending nights and weekends at the school, often all by himself,<br />
reading, listening to the radio. He was a loner, his only<br />
regular interactions with the other kids being fistfights.<br />
THE MAN WHO SCREWED THINGS UP 237