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it. Levenson had become a missionary of the missionary, a<br />
crusader for couples in dire need of sexual experimentation.<br />
Simply, Levenson, who had experienced the embarrassment<br />
of being refused entry to Studio 54, refused to turn anyone<br />
away, as long as they were well-behaved. At Levenson’s locale,<br />
patrons left their pedigrees at the door, wallets in their<br />
lockers. Cardiologists got down next to cab drivers, and so<br />
on. Levenson thought he had created a level playing field,<br />
where everything was equal, aboveboard, and honest.<br />
One night, a well-dressed caterer from Brooklyn visited the<br />
Kenmore’s basement. Frank Pernice stayed clothed, intent to<br />
remain on the sidelines and watch. At Levenson’s, watching<br />
was perfectly acceptable. But Pernice was no typical voyeur.<br />
He was turned on—by the financial potential of Levenson’s<br />
establishment. Eventually, he made Levenson an offer. “Right<br />
now you have a grocery store,” Pernice declared in his Sicilian<br />
accent during one visit. “I can turn it into a supermarket.”<br />
Pernice made it quite clear that he had the contacts to make<br />
good on his offer. Levenson, though, was not sold. At heart,<br />
he was a small-time deli owner who wanted no part of Pernice<br />
and his shady contacts. Although he liked having a few<br />
bucks in his pocket, Levenson didn’t go into swinging as a<br />
business. It was a labor of love, his passion, his religion. So<br />
when Pernice left messages for him, Levenson did not get<br />
back to him.<br />
Eventually, though, Levenson was forced out of the Kenmore.<br />
Reluctantly, he called the connected caterer. Pernice promptly<br />
made a phone call to Hy Gordon, a restaurateur who knew the<br />
Ansonia Hotel’s landlord. Built in 1904, the Ansonia, a heavily-ornamented,<br />
17-story urban castle, had already attracted<br />
its fair share of well-known tenants, including athletes Babe<br />
Ruth and Jack Dempsey and composers Igor Stravinsky<br />
and Gustav Mahler. A hundred of Paul Costellano’s laborers<br />
swiftly went into action in the majestic Ansonia’s basement,<br />
the former home of the Continental Baths, a gay bathhouse<br />
where Bette Midler and a young pianist by the name of Barry<br />
Manilow used to perform. In mere months, gloryholes were<br />
plugged, and it was transformed into the prototypical palace<br />
for the public-sex phenomenon.<br />
From the start, Plato’s Retreat was a smash success, especially<br />
after New York Magazine featured the club in a cover<br />
story. It succeeded mostly because of the relaxed atmosphere.<br />
“I always used to say there’s more pressure at a singles’<br />
bar than at Plato’s Retreat,” recalls Smith. “There was<br />
so much, so available, so why pressure anyone?”<br />
As Plato’s maître d’, Levenson welcomed his guests with the<br />
playfulness of a kid in a sandbox, providing tours of the unair-conditioned<br />
premises: the ample hot-and-cold buffet, the<br />
clothing-optional dancefloor, the sixty-person Jacuzzi, the<br />
labyrinth of thinly-walled, no-ceiling private rooms, and the<br />
cushioned orgy room. Levenson was having the time of his<br />
life and wanted everyone else to, as well.<br />
“He added a friendly touch to the place,” says Smith, a nonswinger.<br />
“He always used to tell couples: If your marriage is<br />
in trouble, this won’t solve it. This is fun. This is extra. He told<br />
me, ‘I don’t want to fuck up anyone’s life.’“<br />
Meanwhile, Mary played host, too. In addition to putting together<br />
the Plato’s newsletter, she often ensured that special<br />
guests experienced the full Plato’s sensual experience. According<br />
to Smith, Levenson offered Mary to him on several<br />
occasions. Smith declined. While she was a devoted swinger,<br />
Mary saved her heart for Levenson. “I intend to spend the<br />
rest of my life with Larry, whether he likes it or not,” she told<br />
one television interviewer.<br />
Of course, not everyone was thrilled with Plato’s. Smith often<br />
escorted eager friends to the club, but some of them would<br />
leave, disgusted, shortly thereafter. After receiving a standing<br />
ovation from the Jacuzzi crowd, DJ Wolfman Jack blanched<br />
and didn’t speak for the rest of the night. City officials were<br />
not amused either, hampering the high jinks by banning Plato’s<br />
from distributing alcohol. If patrons wanted to drink, they<br />
would have to bring it themselves.<br />
There was also the issue of the single men who were desperate<br />
to enter this new sexual frontier. To gain entry, they<br />
would garner a female, either a friend or a working girl. Invariably,<br />
their “date” would leave almost immediately, leaving an<br />
inordinate number of men and an uncomfortable, tense, testosterone-fueled<br />
vibe. In response, Levenson mandated that<br />
all exiting women must depart with their male counterparts.<br />
This seemed to do the trick—for the time being.<br />
Plato’s became the perfect alternative to the starfuckin’<br />
scene at Studio 54, which had opened five months earlier.<br />
Plato’s embraced outer-borough punch-the-clockers like Rick<br />
“The Prick,” a Queens desk slave who was armed with canteens<br />
of rum and Coke; Wally “The Cop,” who supplied the<br />
scotch; and Vance “The Lance,” who sold just about anything.<br />
Then there were the gals, ladies like the statuesque<br />
Sparkles, who gallivanted in only glitter; Candy, who dressed<br />
up as a nurse; and some spaced-out chick known only as<br />
“Wipe Out.” Committed couples like Fred and Mary, Don and<br />
Jo Jo, and Mike and Anita were Plato’s heart and soul. Ultimately,<br />
all were welcome.<br />
“Plato’s was welcome to anybody as long as you were a<br />
couple and you behaved yourself. We had 80-year-old people<br />
coming to Plato’s as couples,” said Levenson. “I had people<br />
weighing 600 pounds. If you could waddle through that door,<br />
INSIDE THE CAVE 73