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SEXIS WRONG

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When they thought of themselves, those Averagemen, they<br />

saw themselves with women with fine bodies and big, bouncy<br />

tits. They saw themselves with muscles and a waist and a<br />

dick that had somehow miraculously taken on some impressive<br />

dimensions. But all of that was okay, because they were<br />

exactly Mr. Averageman…just like the beholders.<br />

They had a long list of don’ts, headed by “non-human bodies,”<br />

described as steroid freaks. Also, no body piercings,<br />

no visible marks of any sort. No scars, no body sculpting,<br />

no birthmarks, no tattoos. No exotic, fashionable, or seasonable<br />

people…just ordinary, everyday Mr. Averageman. And,<br />

much to my surprise, they singled out smoking cigarettes…in<br />

1966…as being very offensive to them and an intrusion upon<br />

their reading, viewing, or intimately involved enjoyment.<br />

The writers of the heterosexual novels were required to focus<br />

upon the penis at all times. Regardless of what was ongoing<br />

in the narrative, within the central character’s head—locked<br />

by reader identification with the reader—all of his thoughts—<br />

therefore, the reader’s—were always to be centered on his<br />

penis. This was to help maintain the essential reason for the<br />

novel: to get it up, keep it up, and exercise it regularly or as<br />

prescribed by the family physician except in states where prohibited<br />

by law and common decency and don’t forget to lave<br />

sus manos.<br />

Then, by way of reminding the writers of reality, we quoted<br />

the immortal D.H. Lawrence, who said, “What is pornography<br />

to one man is the laughter of genius to another.”<br />

(Because of this, we issued immediate instructions to all model<br />

agencies, photographers, etc. working for us that all those<br />

things, especially tattoos, were forbidden in the future. Similar<br />

instructions went to the writers regarding the use of cigarettes<br />

and smoking by the characters in their books. We were years<br />

ahead of the times in producing “no smoking” books.)<br />

We used those results to formulate<br />

what became the basic background<br />

formula for all our sleaze paperbacks<br />

and visual publications.<br />

In the novels they wanted to read about people exactly like<br />

themselves, doing the same things they really wanted to be<br />

doing but for some reason weren’t getting anywhere close<br />

to, not within blocks, and with them living in the middle of the<br />

hottest hooker marketplace in town. They wanted real people<br />

in real situations with things like bills and responsibilities that<br />

they could somehow set aside for a bit, just long enough to<br />

escape into a fantasy of steamy, smelly sex and lurid expectations<br />

that ended, inevitably, with splurts of blessed relief,<br />

thank you, Jesus!<br />

I am very glad that I accepted Don Gilmore’s offer to back<br />

his study of the effects of certain sexual stimuli on the test<br />

subjects. We used those results to formulate what became<br />

the basic background formula for all our sleaze paperbacks<br />

and visual publications.<br />

There was one more overriding criteria, of<br />

course, the legal one. Every time there was a<br />

new ruling in a major First Amendment court<br />

proceeding, we received new legal guidelines<br />

from our guiding light, Stanley Fleishman, who<br />

knew the route better than any other man.<br />

Then, with those constantly changing legal guidelines overlaying<br />

the basic formula, our paperbacks and skin magazines<br />

were ready to do their duty as none other had ever done before.<br />

The result of the moves made to accommodate Dr. Gilmore’s<br />

psychological and sexual studies within our manuscripts, and<br />

within our naked people magazines, was incredible. The sales<br />

proved the worth of the studies several times over and never<br />

stopped proving it until the whole merry-go-round broke<br />

down about fifteen years later.<br />

We gave the writers new guidelines stressing the need to<br />

write down to the lowest possible common denominator. We<br />

encouraged them to use stock clichés and to never strive for<br />

a new way of doing or describing the same old thing. “Built<br />

like a brick shithouse” served well enough.<br />

We asked for a certain amount of tease and anticipation, almost<br />

like foreplay, before the foreplay began, and to at least<br />

let the characters say something to each other before the first<br />

blowjob ends and the money shot splewies all over her nicely<br />

made-up face.<br />

At times, the tease can be much better than the final resolution.<br />

Scattered within the debris and beneath the hooves of those<br />

brightly painted and exquisitely carved carousel horses were<br />

the remains of millions of copies of disintegrating pulp paperbacks.<br />

They were all that remained of the 5,000 novels and<br />

uncountable skin magazines produced by Greenleaf under<br />

my direction, and the additional thousands that followed after<br />

that. Fading into dust, disappearing into the past, and becoming<br />

all too quickly extinct.<br />

And at the same time, for an increasingly large number of devoted<br />

sleaze-book collectors, they are the single most sought<br />

after and expensive (hundreds of dollars for single copies)<br />

masturbatory aids ever created for the ultimate blessed erotic<br />

benefit of all mankind….<br />

236 EVERYTHING YOU KNOW ABOUT SEX IS <strong>WRONG</strong>

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