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He scrutinized proverbs across languages: “a woman kissed<br />
is a woman half-fucked. (Italian).” And from more recent<br />
sources, joking euphemisms for cunnilingus: “‘Eating at the<br />
Y,’ ‘Box lunches’—Texas.”<br />
1940. Appearing under an anagrammatic French pseudonym,<br />
Oragenitalism: Oral Techniques in Genital Excitation: Part I:<br />
Cunnilinctus presented the fiction that it was a fragment of a<br />
disorganized manuscript left behind by the deceased author.<br />
He made notes on the way contemporaries spoke: “I bet<br />
she’d bounce like a rubber ball...”; “he sure was a piss-cutter,<br />
an old word according to Jake Brussel.” Although the dictionary<br />
was never published, he worked on it for decades, with<br />
the dedication of one draft reading:<br />
To William Dunbar (1467? — 1530?)<br />
who first said fuck<br />
By busily contacting anyone and everyone who might be able<br />
to help him, he met major intellectuals. He corresponded with<br />
men who had written outrageous books—Robert Briffault,<br />
author of Europa was one; Henry Miller was another—often<br />
asking them the meanings of terms or how they came by<br />
their knowledge of erotica. He met Columbia University professor<br />
Allen Walker Read, a lexicographer who had attempted<br />
to catalogue all the words purged from the Oxford English<br />
Dictionary, but found him “repressed.”<br />
He was able to transmute the dream<br />
of being “a perfect rabbi” into the<br />
goal of being a total expert on sex.<br />
There was Zora Neale Hurston, trained in anthropology at<br />
Columbia University under the great Franz Boas. Her brilliant<br />
folklore collection Mules and Men was published in 1935,<br />
a few years before they bumped into each other in Greenwich<br />
Village. Legman described his childhood joke-collecting<br />
habits and his longtime interest in slang and graffiti—“obscoena,”<br />
as he called it—to her. As Hurston knew from her<br />
research in Florida turpentine camps and juke joints, Legman<br />
was wading in a very big river. She assured him there was a<br />
whole world of such wild stuff out there. It might be beneath<br />
the consideration of the literary world and too impolite to be<br />
considered by most scholars of culture, but it was there nevertheless,<br />
waiting for someone who could bring it to light.<br />
Now he had a name for his dreamlike project: erotic folklore.<br />
Another part of this great work was a prospective Encyclopedia<br />
of Sexual Technique. In New York in 1936–1937, Legman<br />
was researching this proposed book for Dr. Robert Latou<br />
Dickinson, dean of American gynecologists, and was being<br />
aided by a number of enthusiastic girlfriends. In theory, the<br />
Encyclopedia was to be an illustrated catalog of every sexual<br />
possibility—mostly heterosexual, although Legman also<br />
collected the lore of gay and lesbian sex. As it turned out,<br />
only the first part of the projected whole was published in<br />
For this work, Legman drew on every source of information<br />
available to him, from art history and medical textbooks to<br />
French postcards and accounts of friends’ sex lives. His research<br />
files from the 1930s and 1940s are full of tracings,<br />
diagrams, and jottings. But mainly the work was an exploration<br />
of his own sexual preferences, and his insistent nineteen-year-old<br />
libido was his best source of information. The<br />
energetic researcher rushed from bed to desk, pencil in hand,<br />
to write down his fresh impressions. Documenting his own<br />
sexual experiences on 3x5-inch notecards and scraps of paper<br />
was his habit, as much a habit as all his book and folklore<br />
collecting. In a sense, Legman collected himself, or at least<br />
his own experiences, for future reference and display. In the<br />
process he identified and outlined the themes that would preoccupy<br />
him for the next five decades.<br />
This first work, rare and ill-remembered, is a key to Legman.<br />
At 67 pages, it is a thorough and analytical<br />
treatment of oral sex, sometimes heavy with<br />
anatomical description and scientific language.<br />
But under this remote style is a living, breathing<br />
author. This was his favorite sexual practice,<br />
he told friends, and he presents himself as a jocular virtuoso<br />
in an important art. Cunnilinctus is an older variant of<br />
the Latin term cunnilingus. Wordsmith that Legman was, he<br />
knew that cunnilinctus means not only the act of licking female<br />
genitals but also refers to the person who licks. It is hard<br />
not to think that the book’s subtitle is eponymous: At least<br />
during his twenties, Cunnilinctus was Legman.<br />
Oragenitalism is a bold and peculiar book, certainly from the<br />
perspective of the 1930s, even today. In many ways it is typical<br />
Legman. He had chosen, as he acknowledges, a taboo<br />
topic, “the most misunderstood and the most maligned”<br />
practice, one many women and men refuse to acknowledge.<br />
It was illegal in some places and often treated as grounds<br />
for divorce. Taboo-smashing was all Legman: If he sensed a<br />
cultural barrier, he looked around for a rhetorical bulldozer and<br />
opened throttle.<br />
The book had just been printed and bound in red cloth when<br />
its New York publisher, Jacob Brussel, was arrested for sending<br />
obscene materials through the mail. His entire stock and<br />
all his records were seized; Brussel pled guilty and was eventually<br />
imprisoned. Legman got wind of the pending raid and<br />
caught a train to Washington, DC.<br />
It’s rumored that the whole first print run of Oragenitalism<br />
was burned, although the story may be circulated by book<br />
64 EVERYTHING YOU KNOW ABOUT SEX IS <strong>WRONG</strong>