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The Daily Schedule of<br />
a Porno Copywriter<br />
Libby Lynn<br />
6:00 a m : Welcome, Libby!<br />
I wake up in a mortal panic. I’m 31 years old, and if I died<br />
today there’d be no proper documentation of my life, except<br />
for all the porn I’ve written. In the dazed layer between dream<br />
and wake, I weigh the meaning of my career. What if I died<br />
in a car crash? Or from an overdose of Lamictal, which I take<br />
to keep my bipolar noise at a low hum? Or from a seizure<br />
brought on by too much masturbation?<br />
“Jesus,” they’d say, gathered around my half-naked corpse.<br />
“What a way to go,” they’d say, staring at the panties tangled<br />
in my jeans. They’d gape at the bottle of lube in my stiff right<br />
hand, and the copy of Ass Fucking Whores #2 in my left.<br />
Where in the world had my life come to?<br />
Welcome, lovers, to my small adult world, where I have one<br />
singular and specialized duty: to write product descriptions<br />
for porn videos, sex toys, and all manner of erotic products.<br />
Welcome to the company I’ll call Sex World.<br />
My job is a mix of the ennui of marketing and the anomaly<br />
of pornography. I relate equally to wealthy mainstream art<br />
directors and their grossly underpaid staff, and to filthy-rich<br />
pornographers and their grossly overpriced pornstars. It’s the<br />
greatest and weirdest job I’ve ever had.<br />
Before this, I’d been writing copy at mainstream media companies<br />
for eight years. It was skull-numbing. Between bouts<br />
of actual work, I’d browse porn sites, masturbate in bathroom<br />
stalls, and search for other copywriting-job ads.<br />
“FULLTIME ON-SITE COPYWRITER POSITION; MUST BE<br />
COMFORTABLE WITH THE ADULT ENTERTAINMENT IN-<br />
DUSTRY” was the ad that called me to Sex World. I started<br />
when I was 27 and didn’t question entering the world of porn.<br />
Four years later, I question whether I’ll ever leave.<br />
—<br />
9:00 a m : Your daily schedule is as follows:<br />
I unlock my office door at 9:08. I’m usually late two days<br />
a week. My boss, just outside my office, gives her Look. I<br />
turn on my computer and check my email: 247 spams and<br />
fourteen work-related emergencies, which I respond to immediately.<br />
Next, I check my dreaded Outlook calendar, and<br />
another meeting-jammed day at Sex World begins.<br />
—<br />
9:30 – 10:00 a m : Write copy for three porn videos that<br />
don’t have screeners yet. It’s doubtful that you’ll ever<br />
get the actual videos, but at least you have the DVD<br />
cases.<br />
After four years, I’ve learned to write video copy just from<br />
looking at its packaging. I used to thrill at coming up with<br />
synonyms for body parts and sexual acts. But I’m automated<br />
now. If a video merchandiser blindfolded me and yelled,<br />
“White Chicks & Black Dicks—GO!” I could finish an accurate<br />
seventy-five-word paragraph in five minutes.<br />
—<br />
10:00 – 11:30 a m : Attend meeting and bitch about the incompetence<br />
of the latest Team Scapegoat. Complaints<br />
include spending three days completing one 8x5-½” video<br />
ad flyer, flubbing deadlines, and badly managing time<br />
management. Remind those present that scapegoats<br />
are a necessary variable for the daily grind to function<br />
smoothly.<br />
It would take 300 pages to explain the business structure of<br />
Sex World. I work with a team of graphic designers, product<br />
merchandisers, copywriters, and print buyers that sells every<br />
imaginable adult product to our appropriate demographics.<br />
THE DAILY SCHEDULE OF A PORNO COPYWRITER 177