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SEXIS WRONG

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have no choice regarding the music and lyrics they purchase.<br />

Wal-Mart and K-Mart assert that the surveys they rely on for<br />

verification show customers approve of the practice (how<br />

were those questions phrased?). Therefore, they deny that<br />

the revisions of the music are prior restraint. It takes openmindedness<br />

to listen dispassionately to many rap and rock<br />

lyrics glorifying fighting and gang solidarity, as well as contempt<br />

for “bitches,” white people, teachers, and police. But<br />

at least part of the defiance serves as a wake-up call about<br />

the astonishing inequalities between classes and races in<br />

America and the results of those inequalities. It’s foolish to<br />

ignore the messages and silence the messenger.<br />

It is as regressive now as it was half a century ago to insure<br />

that teenagers never criticize what teachers, policemen, judges,<br />

clergy, or other “established authorities” tell them about<br />

sex and violence. If it was disingenuous to impose censorship<br />

then by calling it a code of decency, it is even more so to<br />

use current economic jargon to redefine it as “target marketing.”<br />

22 All it is, is good business and the tyranny of the majority,<br />

as was the Code for the comic-book industry. In a country<br />

which prides itself on raising young people to understand all<br />

sides of an issue and to make independent choices, the behavior<br />

of the chain stores, as that of the comic-book industry,<br />

is coarse and vulgar.<br />

The 1990s brought to the Western world designer clothing,<br />

Hollywood’s NC-17 films, day spas for men, gentlemen’s<br />

clubs, and erotic experiences via telephone, hotel-room cable<br />

TV, and the Internet. The general population’s increasing exposure<br />

to sex has been good for the entertainment business.<br />

In the liberal 1960s, when the so‐called sexual revolution was<br />

jump‐started, sex was equally good for the publishing business.<br />

The best evidence is Ralph Ginzburg’s performance, in<br />

an inappropriately colorful blazer and straw hat, before the Supreme<br />

Court, which helped get him a jail sentence in 1963. He<br />

was brashly proud of appealing to prurience in his advertisements,<br />

inflicting a reality check on the Supremes that made<br />

them judge the man, not the material. 23 Ginzburg’s point was<br />

that differences between Grove Press’ scholarly editions of<br />

Tropic of Cancer and Lady Chatterley’s Lover and his Eros<br />

magazine’s erotica were only a matter of the cosmetics of<br />

packaging and blurbs. For most purchasers, furtive curiosity<br />

is a prime impulse. Therefore, Grove benefited less from the<br />

Brennan Court’s rulings than did TV, movies, magazines, and<br />

mass-market paperbacks. Ginzburg implied that the Court,<br />

however idealistic, was being neither logical nor realistic<br />

about the underlying reason—the health of the economy—for<br />

its de‐censorship rulings. Who could blame them, since they<br />

were not at all venal and Ginzburg clearly was a pitch man?<br />

In the mid-twentieth century, and equally today, many people<br />

handled the sex side of their lives in such a way as to encourage<br />

self‐respect and a path to honest affection. When<br />

that happens, the symbiosis between erotica distributors and<br />

authorities who reinforce their power by identifying illicit sex<br />

with degeneracy has truly been subverted. With successful<br />

advocacy of the rights of sexual minorities, and the frank<br />

expression of their desires and sex practices, the subject of<br />

sexual expression has been taken from the closet and asserted—by<br />

a much criticized minority—as legitimate and necessary.<br />

Yet, next to terrorism, and with an equally feverous<br />

distinction between us and them, “sexual permissiveness”<br />

is the easiest straw man to rage against. Karl Rove’s “moral<br />

values” shtick, his focus on the culture war as opposed to the<br />

horrible facts of the unilaterally-waged Operation Iraqi Freedom,<br />

was a factor in the 2004 election.<br />

Comforting belief systems shared by trusted friends and<br />

co‐workers are much easier to ratify than unsuccessful wars<br />

started for discredited reasons. The indignation generated by<br />

Republican spin artists hungry for the votes and money of<br />

Christian fundamentalists has resonance in the hearts and<br />

minds of Americans trained to see survival as a battle between<br />

us and them. Gay marriage, abortion rights, and highschool<br />

sex-education courses seem more personal to many<br />

Americans than the daily horrors characterizing the Bushite<br />

occupation of Iraq. Moral crusades are always political, none<br />

more intensely so than those which occur in times already<br />

scarred by national emergencies. So how far have we come<br />

since J. Edgar Hoover explained that the Reds were planting<br />

pornography in order to demoralize our people and debauch<br />

their children?<br />

III<br />

The eagerness of journalists to cover prurient-interest stories,<br />

be they about erotic images of children or salacious<br />

advertisements, is as regular as cable TV tabloid news.<br />

Spokespeople for sexual decency, whether clergymen, public<br />

officeholders, or police officials, are—as they have been for<br />

a century—entrepreneurs, identifying themselves with their<br />

cause and its righteousness. Erotica distributors do much the<br />

same thing. Whenever it is to their advantage, they say they<br />

are furthering First Amendment and privacy issues, but they<br />

are making a living as middlemen, doing the unpleasant job<br />

of providing taboo material. And how well they have learned<br />

the variety of stories and pictures that would do that! Desperate<br />

Housewives and Extreme Associates are examples. So<br />

were the 1950s sex pulps, 1960s sexploitation movies, and<br />

pioneering porno-chic films like Deep Throat and Behind the<br />

Green Door. Erotica exploits fantasies with which customers<br />

are enthralled, however ambivalent about what they see. Its<br />

distributors’ best friend has always been the opportunistic<br />

moralist who allies with political authority to deplore sexually<br />

312 EVERYTHING YOU KNOW ABOUT SEX IS <strong>WRONG</strong>

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