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SEXIS WRONG

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Learning long ago that the secret to printing money is to<br />

keep your presses running 24/7/365, Marvin took work from<br />

whomever, wherever. There is evidence that he printed books<br />

for pornographer Reuben Sturman, based in Cleveland. 14 He<br />

printed for notorious Gambino family associate Robert “Di B”<br />

DiBernardo of Star Distribution in New York. 15 And he printed<br />

magazines and books for “Jules Griffon,” pseudonym of Edward<br />

S. Sullivan, a journeyman porn editor-publisher, owner<br />

of Jules Griffon Enterprises, a publisher of skin mags and<br />

erotic paperbacks that operated under the imprint Classic<br />

Publications. 16<br />

You can tell a lot about a publisher by the quality of his production.<br />

“He prints the shoddiest books of all of us,” says Brian<br />

Kirby, 17 famed editor of 1960s porn-magnate Milton Luros’<br />

Essex House imprint, and truer words have never been spoken.<br />

To say the stock Marvin used for his books was suitable<br />

only for bathroom hygiene would ignore toilet paper’s prime<br />

requisites: that it not chafe your ass and crumble while in use.<br />

Marvin used ground pulp, the lowest-grade paper available<br />

and high in acids; as soon as it’s exposed to oxygen, it begins<br />

to brown, practically before your eyes.<br />

Marvin was, to put it mildly, parsimonious. He not only refused<br />

to pay his debts on principle, he bounced a check to his<br />

star witness for the defense, Carolyn See, who, as a PhD in<br />

English literature, provided the requisite redeeming social value<br />

during his obscenity trials. (At the time, providing redeeming<br />

social value in obscenity trials had become something of<br />

a cottage industry for scholars.) Marvin called her “venal” for<br />

insisting that he make good on the check. She threatened<br />

to provide redeeming social value for the D.A. He sent her<br />

another check, this one good.<br />

Perhaps experience as a turn-around whiz taught him that<br />

the best way to run a company was on a shoestring, keeping<br />

operating expenses to a bare minimum. He was a one-man<br />

band. He worked out of his house, a comfortable suburban<br />

tract home in Covina, east of Los Angeles. Woke up every<br />

morning at four, edited manuscripts and texts all by himself<br />

before dropping them off at the printer.<br />

In his APS/Marvin Miller Enterprises venture, Marvin distributed<br />

through John F. Hayes’ Kable News of Cleveland and New<br />

York. Periodicals distributors are pretty sharp operators, and<br />

it appears that Marvin met his match—or Kable News theirs.<br />

The two parties soon locked in a virulent fight over $600,000<br />

in receipts. Miller appears to have decided that he couldn’t<br />

trust distributors anymore, not an irrational conclusion. So,<br />

while continuing to move mountains of books through established<br />

distributors like East Coast-based Al Druss’ G.I. Distribution<br />

and Robert DiBernardo’s Star Distribution, 18 his friend<br />

Art Kunkin reports 19 that Marvin maintained a long list of independent<br />

distributors all over the country handling his stuff,<br />

including the legendary Shelley Wilson of New York, a “cigarsmoking,<br />

tough as nails, fun, good-time gal” 20 who had the<br />

moxie to stand up to wiseguys who tried to mess with her.<br />

Marvin loved mail-order distribution, soliciting, and fulfilling<br />

all orders in-house, no middleman. He would send four employees<br />

to the post office to pick up orders, one to take them<br />

out of the post office box, the other three to keep an eye on<br />

the first and each other. He claimed to have movie stars, politicians,<br />

professionals, even the mayor of a large Western city<br />

on his mailing list. On this, we can probably take his word, for<br />

porn had become somewhat hip, and—though it may come<br />

as a shock to the innocent—even politicians have secret sexual<br />

desires, and, gee willikers, tend to be hypocritical about<br />

them.<br />

Just because Marvin issued cheaply produced, cheesy editions,<br />

don’t think that he didn’t reprint some truly outstanding<br />

or unusual material aside from his Olympia Press knock-offs.<br />

Not that he had any idea what he was doing. He issued The<br />

Sixty-Niners, an offset-photo reprint (natch!) of a Continental<br />

Classics photo-reprint, their retitled edition of Queenie, a portion<br />

of a longer Victorian work known as The Adventures of<br />

Lady Harpur. Shortly thereafter, Marvin issued Queenie by<br />

THE MAN WHO SCREWED THINGS UP 241

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