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so I was always sheltered in regard to sex educa tion. It’s still<br />
taught in a sheltered way.<br />
We always did what we wanted, the piano lessons, the ballet,<br />
everything. We always got what we wanted but had to work<br />
for it. They instilled that.<br />
Has living in a male-dominated society played a role in<br />
shaping your sexu ality? ~ Of course it has. I want a dick,<br />
you know. I want a dick to show them what it’s like. I want a<br />
dick, and I want to drive it up their ass and stick it down their<br />
throat, and show them why I am cold and what I am feeling,<br />
to show them what they’re like. Of course it’s made me very<br />
angry when I look at the world, dominated by guys. Yeah!<br />
That’s why I’m cold and bitter and angry. I don’t like them.<br />
Fucked up.<br />
Very few people have self-defenses,<br />
fronts, or attitudes when they’re<br />
naked.<br />
Do women play a part in the creation of male sexuality?<br />
~ We run the whole show. We run this whole fuckin’ world.<br />
The world is based on pussy. Face it. Obviously, we’ve made<br />
them dogs at this point. We have created that. We’ve made<br />
men really pathetic and desperate for women, for sex, for<br />
naughty sex, for infidelity. Yeah, we’ve made them macho.<br />
We have made you like you are, and now I think we’re trying<br />
to reverse it all. We’ve lured them on to make money, to survive,<br />
so we’ve gone to our bodies. It started in the age of slavery<br />
when we were getting banged, but that was no choice,<br />
and we’ve just reversed it. We’re basically making you the<br />
suckers. We’ve made you the dogs. Because we know that<br />
you want it and we’ve played on it.<br />
Lilith<br />
Describe the interaction and commentary among the<br />
dancers onstage. ~ It depends on who’s onstage, how you<br />
get along with them, if they have the same musical taste as<br />
you, if you have things in common or not. I find I have different<br />
perceptions than a lot of the people because I’m not<br />
American. I’m not quite sure to what extent the Americans<br />
are aware of that.<br />
There is a genuine level of warmth and support that’s deeper<br />
than what’s required for the job. Most of the women are very<br />
caring and empathic towards each other, even when they’re<br />
being bitchy. There’s a certain base level of support that<br />
doesn’t disappear. I have been onstage very few times when<br />
there were incidents or bad feelings. It’s one of the best work<br />
environ ments I’ve ever worked in.<br />
Incredible levels of intimacy are reached because we’re being<br />
sexual with people. Upfront sexual with four other people.<br />
There’s a lot more sharing about where people are at with<br />
their sexuality. There’s advice, commentary, exchange of anecdotes,<br />
flirtation, right down to enactment of real-life sexual<br />
stuff. You hear about couples in the theater, plus crushes,<br />
fancies, and admi ration.<br />
I feel a very strong admiration for several of the women. For<br />
the warmth and compassion of their natures and how they<br />
deal with different situations onstage. These are traits not<br />
necessarily cultivated by the job, but traits that the women<br />
have themselves. It was very much an eye-opener for me to<br />
see some typically female qualities stronger here than they<br />
would be allowed to be in many other environments. Here<br />
we’re dealing with the connection between female power<br />
and female eroticism, the forbidden, repressed secret not to<br />
be allowed connection—it’s being forged, and<br />
that obviously empowers the women.<br />
This is an excellent observatory of human nature<br />
and behavior. Very few people have selfdefenses,<br />
fronts, or attitudes when they’re naked. People are<br />
a lot more open and honest with each other here than they<br />
are in other fields. That’s something that people want—partly<br />
this is what’s on sale, the vibe between the women. It’s<br />
pretty dead with four girls onstage who don’t relate particularly<br />
well. When you are onstage with women who are possessed<br />
of high amounts of physical and erotic energy, it’s a<br />
very strong power experi ence, very interesting. It definitely<br />
is a big part of the growth experience for me, having the opportunity<br />
to learn from some of the women. People make<br />
very sexual comments to each other, about each other, about<br />
their bodies, about how big or little their breasts have gotten;<br />
did it hurt when you pierced your clitoris and your nipples; oh,<br />
you’ve put on weight; oh, that looks nice on you, that doesn’t;<br />
if you don’t get along well with men, you should try it with<br />
women—everything.<br />
I was quite surprised when I first heard that healing occurs<br />
here, women healing themselves, each other, and<br />
customers. Describe what you know about this. ~ I feel<br />
that I healed myself by deprogramming a lot of basic Catholic<br />
attitudes toward my sexuality, guilt, and the last vestiges of<br />
being unable to touch my own body. I’ve learned to feel proud<br />
about my vagina, feel that this is a good part of me. A lot of<br />
the final stages of my break through went on in the theater by<br />
reprogramming out of patriarchal attitudes. Healing is happening<br />
on a physical, spiritual, and psychological level.<br />
For a lot of women, it’s a healing experience if it’s the first<br />
time they come in touch with their erotic power. To feel their<br />
flow is definitely empowering and strengthening. It heals the<br />
whole space that women have between the nice girl and the<br />
198 EVERYTHING YOU KNOW ABOUT SEX IS <strong>WRONG</strong>