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than two total speakers, but that truly is a debate outside<br />
our scope), one called Solomon (not necessarily the famous<br />
King who appears elsewhere in the Old Testament), the other<br />
his unnamed lover, who, by some accounts, may have written<br />
the piece. Orthodox Christian interpretations attempt to<br />
downplay the hot and heavy eroticism in the Song by saying<br />
that the female lover is the Church, Solomon is Christ, and<br />
their love is the spiritual union of the material Christian apparatus<br />
with the higher spiritual forces.<br />
Yeah, right. The Song begins: “The song of songs, which is<br />
Solomon’s. Let him kiss me with the kisses of his mouth: for<br />
thy love is better than wine.” If the point here was supposed<br />
to be that the Church wants to merge itself with the love of<br />
Christ the Savior, there would have been considerably less<br />
distracting ways of saying it. No—the Song of Solomon is a<br />
fruits.” Heart be stilled!<br />
Even amid the glories of these and similar passages, the author<br />
of the Song does strike an odd chord or two. Such compliments<br />
as “thy neck is like the tower David builded for an<br />
armory” or “thy hair is as a flock of goats, that appear from<br />
mount Gilead” have perhaps lost some of their charm in the<br />
last few thousand years (a modern adaptation might be: thy<br />
hair is like Cornell freshmen plunging into the gorges of Ithaca).<br />
Furthermore, the line that precedes the one about the<br />
myrrh-drenched hands always struck me as a bit overdone:<br />
“My beloved put in his hand by the hole of the door, and my<br />
bowels were moved for him.” Yes, well, I’m all for psychosomatic<br />
response, but that’s a bit much.<br />
“Blow on my garden, that the spices<br />
thereof may flow out.”<br />
love poem, and the love is a very corporeal one. That it made<br />
it into the foundational book of Christianity is a mystery beyond<br />
my comprehension. But, like the Psalms, here is a part<br />
of the Bible that can be read purely for the love of its poetry.<br />
There is no need for an exegesis of all the evocative imagery<br />
in the Song; most of it speaks for itself. There are, however, a<br />
few highlights, such as when the lover says that her beloved<br />
“feeds among the lilies” and that her hands, when she rises<br />
up to him, “dropped with myrrh.” And Solomon, meanwhile,<br />
says to her, “Thy lips, O my spouse, drop as honeycomb:<br />
honey and milk are under thy tongue.” And she back to him:<br />
“Blow on my garden, that the spices thereof may flow out.<br />
Let my beloved come into his garden, and eat the pleasant<br />
Fan though I am, I hadn’t read much of the Bible<br />
until I went to graduate school and, on a rather<br />
prolonged lark, decided to become a medievalist.<br />
As a result, I found myself a late twentysomething<br />
pagan having to read the whole of the Good Book.<br />
I did it straight through—not quickly, mind you, but steadily.<br />
What I discovered between the now worn-off covers of my<br />
Red Letter edition corresponded so minimally to what I had<br />
anticipated, I wondered if I had the right religion. The sex and<br />
sexual oddities were only some of the Bible’s unforeseen<br />
pleasures (others include the almost James Bond–like coolness<br />
of Christ, the beauty of Paul’s prose, the phenomenal<br />
stories of Job and Ruth, the bombast of Ezekiel, etc.).<br />
Having now read the entire Bible, multiple times over, I am<br />
still a pagan, but I’m all for placing copies in every hotel room.<br />
It’s the most influential book in Western culture, and it’s a lot<br />
better than dial-up porn.<br />
326 EVERYTHING YOU KNOW ABOUT SEX IS <strong>WRONG</strong>