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SEXIS WRONG

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than two total speakers, but that truly is a debate outside<br />

our scope), one called Solomon (not necessarily the famous<br />

King who appears elsewhere in the Old Testament), the other<br />

his unnamed lover, who, by some accounts, may have written<br />

the piece. Orthodox Christian interpretations attempt to<br />

downplay the hot and heavy eroticism in the Song by saying<br />

that the female lover is the Church, Solomon is Christ, and<br />

their love is the spiritual union of the material Christian apparatus<br />

with the higher spiritual forces.<br />

Yeah, right. The Song begins: “The song of songs, which is<br />

Solomon’s. Let him kiss me with the kisses of his mouth: for<br />

thy love is better than wine.” If the point here was supposed<br />

to be that the Church wants to merge itself with the love of<br />

Christ the Savior, there would have been considerably less<br />

distracting ways of saying it. No—the Song of Solomon is a<br />

fruits.” Heart be stilled!<br />

Even amid the glories of these and similar passages, the author<br />

of the Song does strike an odd chord or two. Such compliments<br />

as “thy neck is like the tower David builded for an<br />

armory” or “thy hair is as a flock of goats, that appear from<br />

mount Gilead” have perhaps lost some of their charm in the<br />

last few thousand years (a modern adaptation might be: thy<br />

hair is like Cornell freshmen plunging into the gorges of Ithaca).<br />

Furthermore, the line that precedes the one about the<br />

myrrh-drenched hands always struck me as a bit overdone:<br />

“My beloved put in his hand by the hole of the door, and my<br />

bowels were moved for him.” Yes, well, I’m all for psychosomatic<br />

response, but that’s a bit much.<br />

“Blow on my garden, that the spices<br />

thereof may flow out.”<br />

love poem, and the love is a very corporeal one. That it made<br />

it into the foundational book of Christianity is a mystery beyond<br />

my comprehension. But, like the Psalms, here is a part<br />

of the Bible that can be read purely for the love of its poetry.<br />

There is no need for an exegesis of all the evocative imagery<br />

in the Song; most of it speaks for itself. There are, however, a<br />

few highlights, such as when the lover says that her beloved<br />

“feeds among the lilies” and that her hands, when she rises<br />

up to him, “dropped with myrrh.” And Solomon, meanwhile,<br />

says to her, “Thy lips, O my spouse, drop as honeycomb:<br />

honey and milk are under thy tongue.” And she back to him:<br />

“Blow on my garden, that the spices thereof may flow out.<br />

Let my beloved come into his garden, and eat the pleasant<br />

Fan though I am, I hadn’t read much of the Bible<br />

until I went to graduate school and, on a rather<br />

prolonged lark, decided to become a medievalist.<br />

As a result, I found myself a late twentysomething<br />

pagan having to read the whole of the Good Book.<br />

I did it straight through—not quickly, mind you, but steadily.<br />

What I discovered between the now worn-off covers of my<br />

Red Letter edition corresponded so minimally to what I had<br />

anticipated, I wondered if I had the right religion. The sex and<br />

sexual oddities were only some of the Bible’s unforeseen<br />

pleasures (others include the almost James Bond–like coolness<br />

of Christ, the beauty of Paul’s prose, the phenomenal<br />

stories of Job and Ruth, the bombast of Ezekiel, etc.).<br />

Having now read the entire Bible, multiple times over, I am<br />

still a pagan, but I’m all for placing copies in every hotel room.<br />

It’s the most influential book in Western culture, and it’s a lot<br />

better than dial-up porn.<br />

326 EVERYTHING YOU KNOW ABOUT SEX IS <strong>WRONG</strong>

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