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322<br />

RECENT TIMES.<br />

bere (1593)* At first the y ° nly * SerVed t0 P r0m0te<br />

the study of medicinal plants. The teaching of botany<br />

was combined with demonstrations on the plants a<br />

procedure which facilitated the comprehension of the jj<br />

lectures in an extraordinary degree. Moreover, herbaria •*<br />

or collections of dried plants, probably introduced since the i<br />

middle of the 16th century,t were applied to the same purpose,<br />

as also were drawings of plants. Even in ancient<br />

times care was taken to embellish botanical works with<br />

drawings Those of the manuscripts of DiOSKORiDES,<br />

which are now possessed by the Imperial Court Library at<br />

Vienna, date from the 5th century. From later times, also,<br />

especially from the 15th century, numerous drawings of<br />

plants have been preserved.* By the invention of woodand<br />

copper-engraving it became possible to multiply he<br />

drawings at pleasure. Distinguished artists, nay, even the , J<br />

master-hand of a GuiDO RENI, made drawings for the engraver.<br />

Botanical literature was in the 15th and 16th<br />

centuries enriched with a great number of illustrated works<br />

of this kind. . .<br />

Anatomy owed still more to the art of painting, lne<br />

most celebrated painters of this period devoted diligent<br />

study to the anatomy of the human body. LEONARDO DA<br />

VINCI received instruction from his friend, the anatomist<br />

MARC ANTONIO DELLA TORRE, upon the course and form |<br />

of the muscles and upon the position of particular parts of !<br />

the human body. He supplied the latter with drawings for 1<br />

an anatomical work, which he desired to publish, but which {<br />

never appeared. These came afterwards for the most part<br />

into the possession of the Biblioteca Ambrosiana at Milan .<br />

and then reached Paris; certain of them became the property |<br />

of the English Royal Family and were published by means of ^<br />

engraving in the case of some of the drawings, in the easel<br />

of others by photography.§ MICHELANGELO, too, occupied |<br />

* HAUTZ op. cit. :„<br />

t MEYER op. cit. iv, 266 et seq. X MEYER op. cit. iv, 273 «* se f '<br />

VASARI : Leben der ausgezeichneten Maler, Bildhauer und Baumeister.<br />

Deutsche Ubersetzung, Stuttgart, 1843, Bd. iii, S. 26.-R. KNOX : Great ArustsJ

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