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Series editors' preface - Wood Tools

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it over a blunt metal blade or by pounding<br />

with wooden mallets, to soften it. Goat skins<br />

are folded, hair side in, and rubbed back and<br />

forth over a curved board causing them to<br />

develop the typical pebbly or grainy appearance<br />

of morocco leather. The original shagreen<br />

was made by trampling seeds into the surface<br />

of moist leather and shaking them out when<br />

dry. Thick hides may be split into two or more<br />

thickness and surfaces may be dyed or painted,<br />

sized waxed, or buffed to finish. In the United<br />

States, under rulings of the Federal Trade<br />

Commission, a split must be so marked and<br />

cannot be called ‘genuine leather’ or ‘genuine<br />

cowhide’ (Tanners Council of America, 1983).<br />

Methods of working and uses of leather<br />

Numerous methods of working leather have<br />

been used, of which a few will be mentioned<br />

here. Apart from sewing and riveting used to<br />

assemble three-dimensional leather structures,<br />

leather has been fastened to rigid foundations<br />

using animal glue to cover boxes, coffers, caskets,<br />

sword hilts and scabbards or stretched<br />

across frames to produce litters, sedan chairs,<br />

coaches, wall panels, screens and chairs. Skins<br />

were prepared and applied to forms both in a<br />

wet and dry state by stitching, riveting or gluing.<br />

The marked ability of vegetable tanned<br />

leather to conform to a mould when wet and<br />

to remain permanently set on drying with moderate<br />

heat has been known as cuir bouilli since<br />

at least the fourteenth century and exploited<br />

for the production of a large variety of domestic<br />

and industrial objects. Leather for moulded<br />

objects has also been laminated, either alone<br />

or with canvas or paper. Decoration of leather<br />

has been achieved using lines impressed into<br />

the surface with hot metal tools and by modelling,<br />

cutting, punching, incising or bruising<br />

over a relief in wood, blind stamping and gold<br />

tooling. The practice of gilding all over was<br />

used for panelling and hangings but although<br />

gold leaf was sometimes used it is more common<br />

to find silver or tin foil adhered to the surface<br />

with shellac or white of egg and covered<br />

with yellow varnish (see Figure 3.4 and Figure<br />

11.5). Specialized tools were developed for<br />

stretching, cutting, skiving, finishing edges and<br />

joining and for creating decorative surfaces on<br />

leather (see Scholten, 1989).<br />

Stretched leather was used for seats of chairs<br />

and stools in Egypt but its use for fixed uphol-<br />

Upholstery materials and structures 103<br />

Figure 3.4 Wallpaper and leather panels; crimson<br />

flock and embossed gilt leather, Dutch and/or English,<br />

c.1680

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