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Series editors' preface - Wood Tools

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observed features can be carried out on the<br />

cross-section with various instrumentation,<br />

such as energy dispersive X-ray spectrometry<br />

or electron microprobe, if connected to a<br />

scanning electron microscope.<br />

X-ray images of metal objects can provide<br />

information concerning methods of manufacture.<br />

For example, cast metal may contain<br />

voids or other casting flaws, which appear in<br />

radiographs as dark spots, while hammered<br />

objects sometimes exhibit a characteristic<br />

mottled hammer blow pattern. Repairs and<br />

replacements are often detectable with X-ray<br />

radiography, for example solder is often recognizable<br />

due to its porous structure, characteristic<br />

flowed appearance and radio-opacity.<br />

However, where the solder and bulk metal<br />

have similar densities the solder join may not<br />

be detectable in radiographs. Computer aided<br />

tomography (CAT) might prove helpful in<br />

such instances because it detects very small<br />

density variations.<br />

In contrast to the wide range of analyses<br />

which have been carried out on works of art<br />

in metal, the identification of materials and<br />

manufacture of metal components on furniture<br />

have thus far received little attention. The<br />

results of most studies are unpublished, only<br />

briefly mentioned (Koller, 1989; Pelz, 1992)<br />

or included in footnotes (Brachert, 1986;<br />

Schneider, 1990). Studies to determine the<br />

origin of several south German boulle works<br />

based on the elemental compositions of their<br />

pewter and brass inlays have been carried out<br />

by Walch (1993) and Segebade (1993, 1994)<br />

using photon activation analysis. X-ray fluorescence<br />

was used to establish that what was<br />

thought to be a gilded surface on brass casters<br />

from a nineteenth century American couch did<br />

not in fact contain gold (Thomson, 1991).<br />

Dating metals<br />

Marks stamped on to metals may relate to the<br />

particular maker(s), may be characteristic of<br />

certain regions, such as the Augsburg pine<br />

cone (Kisluk-Grosheide, 1991; Stratmann,<br />

1975), or may relate to taxation, such as the<br />

crowned C mark on French bronze mounts<br />

(de Bellaigue, 1974). Such marks may aid in<br />

dating because they often reflect documented<br />

changes in guild and state regulations.<br />

With the exception of experimental methods<br />

for carbon-14 dating of iron (Creswell, 1992;<br />

Other materials and structures 213<br />

Riederer, 1981) there are no instrumental<br />

methods for determining the age of metal. At<br />

least until the Industrial Revolution, when<br />

geological coal or coke were introduced as<br />

fuel, the carbon incorporated into iron is<br />

generally contemporaneous with the manufacture<br />

of the object itself. The fact that previously<br />

produced iron goods were recycled is a<br />

potential source of error and must be taken<br />

into consideration. Dating of historic metal can<br />

be based on comparison to documented<br />

inventions and discoveries affecting metallurgical<br />

practices. Metallographic examinations<br />

have, for example, been carried out on the<br />

metal components of a historic wooden gate<br />

in order to determine its age (Storch, 1987).<br />

5.6 Ceramics and glass<br />

Ceramics, clay products made permanent by<br />

heat, are among the most ancient of human<br />

technologies. Vitreous glazes on ceramics<br />

predate the use of glass as a separate material.<br />

Glass vessels made their first appearance<br />

in the Middle East and Egypt around 1500 BC.<br />

Beautiful and functional ceramics and glass<br />

have been the object of increasingly complex<br />

technologies since their earliest use and<br />

occupy a central place in human technological<br />

history (see Kingery, 1986; Singer, 1958).<br />

The carbide cutting teeth on the best modern<br />

woodworking tools are a form of metallic<br />

ceramic made from carbon and various metals.<br />

Ceramics are commonly found in furniture<br />

as tiles or decorative knobs and escutcheon<br />

plates. Knobs and pulls have also been made<br />

of glass, particularly after the development of<br />

pressed glass in the 1840s made cheaper imitations<br />

of cut glass widely available. Glass may<br />

also occur in furniture in the form of clear or<br />

coloured flat-glass glazing in case pieces, or as<br />

mirrored glass. Glass mosaics produced in<br />

Rome during the eighteenth and nineteenth<br />

centuries were used as decorative inserts or<br />

entire table tops. The Roman Mosaic technique<br />

employed a wide colour palette of thin glass<br />

rods (smalti) set closely together on end to<br />

create extremely detailed images. Glass has<br />

also been important as an abrasive (glass<br />

powder glued to paper) in woodworking.<br />

Glass can be described as a meta-stable<br />

super-cooled liquid because as it cools from

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