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Series editors' preface - Wood Tools

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Table 5.3 Pigments – continued<br />

Other materials and structures 225<br />

Colour/group Chemical composition Origin/date Properties Refractive<br />

Pigment and description Index<br />

name<br />

Hansa<br />

yellow<br />

Naples<br />

yellow<br />

Chrome<br />

yellow<br />

Barium<br />

yellow<br />

(Lemon<br />

yellow)<br />

Strontium<br />

yellow<br />

Cobalt<br />

yellow<br />

(Aureolin)<br />

Cadmium<br />

yellow<br />

Gamboge<br />

brown and violet. Very<br />

homogeneous and fine but with no<br />

significant advantages over natural<br />

yellow and red counterparts<br />

Permanent greenish yellow lake<br />

pigment made by precipitating one<br />

of a range of Hansa yellow dyes<br />

on an inert base. The dye is<br />

prepared from diazotized aromatic<br />

amines containing nitro or halogen<br />

groups coupled with acetoacetanilide<br />

or its derivatives<br />

Lead antimonate (Pb 3(SbO 4) 2).<br />

Varies from yellow to orange<br />

depending on the proportions of<br />

the oxides of lead and antimony<br />

chemically combined in the<br />

compound. Homogeneous, finely<br />

divided like massicot in appearance<br />

Lead chromate (PbCrO 4). Usually<br />

very fine rather opaque crystals<br />

varying in colour from lemon<br />

yellow to orange depending on<br />

particle size and conditions of<br />

preparation<br />

Barium chromate (BaCrO 4). Dull,<br />

pale, greenish yellow by reflected<br />

light but nearly colourless in<br />

transmitted light. Very fine<br />

crystalline or plate form<br />

Strontium chromate (SrCrO 4). Mass<br />

of finely divided needle-like<br />

crystals. Deeper and brighter than<br />

barium chromate, also sold as<br />

lemon yellow<br />

Complex compound – potassium<br />

cobaltinitrite (CoK 3(NO 2) 6.H 2O).<br />

Tiny crystals and crystal clusters,<br />

yellow by transmitted light<br />

Cadmium sulphide (CdS).<br />

Depending on the conditions of<br />

preparation, precipitated cadmium<br />

sulphide varies from lemon yellow<br />

to deep orange. Colour differences<br />

depend on the size and state of<br />

crystallinity of the pigment particles<br />

but all types are comparatively<br />

finely divided<br />

Yellow resin produced by trees of<br />

the genus Garcinia. Used with<br />

indigo or Prussian blue as<br />

component of Hooker’s green<br />

Recipes for this pigment<br />

appear from the mid<br />

eighteenth century but a<br />

similar material was in<br />

use much earlier. Name<br />

now used to indicate<br />

shade of yellow rather<br />

than a specific<br />

compound<br />

Preparation described in<br />

1809. Commercially<br />

available from c.1818.<br />

Commercially important<br />

pigment. Expensive<br />

Discovered in 1848 and<br />

first used as a pigment<br />

in 1861. Expensive<br />

Found as a mineral in<br />

nature but that used for<br />

pigments is precipitated<br />

from an acid solution of<br />

a soluble cadmium salt<br />

by the action of an<br />

alkaline sulphide or<br />

hydrogen sulphide gas.<br />

First used in 1829<br />

commercially available<br />

from 1846<br />

Good hiding power. Lightfast.<br />

Suitable for artists use.<br />

Good hiding power. Chemically<br />

stable but is darkened by hydrogen<br />

sulphide and is therefore more<br />

used in oil than in water based<br />

media<br />

Pure lead chromate is fairly stable<br />

to light but may darken and<br />

become brown on ageing. May<br />

become green (by reduction to<br />

chromic oxide) in mixtures with<br />

organic pigments. Best used in oil<br />

Poor hiding power. Most stable of<br />

the chromate pigments. Soluble in<br />

dilute alkalis and mineral acids.<br />

Little affected by light but may<br />

become more greenish in strong<br />

light due to chromic oxide<br />

formation<br />

Greater hiding power than barium<br />

chromate<br />

Fair hiding power. Light fast but<br />

impure samples unstable. May<br />

accelerate fading of organic<br />

pigments itself turning brown in<br />

the process. Decomposed by<br />

strong alkalis and acids, slightly<br />

soluble in cold water<br />

High refractive index and therefore<br />

good hiding power. Permanent and<br />

fast to light. A very important<br />

yellow pigment. Toxic<br />

Used mainly in watercolour or in<br />

varnish. Permanent in oil but less<br />

so in watercolour when it fades in<br />

strong light<br />

2.01–2.88<br />

2.31–2.49<br />

1.94–1.98<br />

1.92–2.01<br />

1.72–1.76<br />

2.35–2.48<br />

1.58–1.59<br />

continued

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