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Series editors' preface - Wood Tools

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678 Conservation of Furniture<br />

technical evidence. Information on the conservation<br />

of metals may be found in conservation<br />

literature that deals with the treatment of archaeological<br />

and historical metal objects, although<br />

articles on the conservation of industrial collections<br />

and modern metal artefacts may also be<br />

useful. Related disciplines such as the conservation<br />

of scientific instruments and horology may<br />

also provide helpful references. Publications that<br />

may prove useful include MacLeod et al. (1995),<br />

Mourey and Robbiola (1998), Scott et al. (1994)<br />

and Slater and Tennent (1979). Spot tests for the<br />

identification of metals are described Ganiaris<br />

(1985) and Townsend (1985, 1988).<br />

Ethical issues have generated significant<br />

debate in the discipline of metal conservation.<br />

An issue specific to metal conservation is the<br />

effect of repairs that utilize heat treatments.<br />

Hot metal joins such as soldering, welding or<br />

brazing alter metallographic structure, will<br />

change metal colour and patination and may<br />

interfere with future analysis. Repairs utilizing<br />

heat may affect function, for example springs<br />

that are heated may no longer function as<br />

springs. If welding is necessary, TIG or MIG<br />

welding are the best alternatives because<br />

fluxes are not necessary and the heat is<br />

intense, brief and localized, minimizing<br />

conduction and metallographic alteration.<br />

The treatment of metal fittings on furniture,<br />

or metal furniture itself, must be considered<br />

within the broader context of furniture conservation.<br />

Bending metal back to its original<br />

shape changes the metallographic structure. In<br />

the context of furniture, the retention of original,<br />

functional fittings is usually ascribed a<br />

higher priority than unchanged metallographic<br />

structure.<br />

Patina<br />

Some corrosion layers are considered attractive<br />

or may attest to the passage of time and are<br />

therefore considered to be of value whilst<br />

others, such as the tarnishing of silver, may<br />

not. The term ‘patina’ is often used as a value<br />

judgement for any corrosion product that is<br />

considered to enhance the appearance and<br />

value of an object. Metal conservators generally<br />

use the term to denote an artist- or<br />

manufacturer-applied corrosion product that<br />

was part of the original intent.<br />

Perceptions of appropriate appearance are<br />

influenced by culture and fashion. The owner<br />

or curator’s opinion should be sought before<br />

undertaking treatments that may radically alter<br />

the appearance of metal. Consideration should<br />

be given to the overall aesthetic balance of the<br />

object. Furniture decorated with marquetry<br />

and metal may appear unbalanced, for<br />

example, if the metal is highly polished whilst<br />

the colour contrast of the wood has faded to<br />

a mellow interplay of shades of brown.<br />

Metals and their surface finishes, including<br />

ferrous metals, are softer and more porous<br />

than is often imagined. Decorative layers, such<br />

as gold or silver, are not only soft but may<br />

have been applied in very thin layers and are<br />

very easily damaged. In some cases, including<br />

gilding, ormolu and other surfaces, finishes<br />

were deliberately left with a ‘frosted’ or matte<br />

finish, patinated or painted. It should not be<br />

automatically assumed that the original finish<br />

was brightly polished, and buffing or polishing<br />

surfaces is often inappropriate. The<br />

blanket treatment of metal fittings on furniture<br />

with abrasives is not acceptable because metal<br />

treated in this way will not reflect the age or<br />

use of the object.<br />

<strong>Wood</strong> in contact with hardware, for<br />

example iron hinges, screws or nails, is often<br />

discoloured. High moisture content as a result<br />

of elevated RH may cause leaching of iron<br />

ions and produce a blue/black (iron tannate)<br />

discoloration in oak and other woods with<br />

high tannic acid content (Panshin and de<br />

Zeeuw, 1980). Such discoloration is often<br />

considered to be evidence of age.<br />

Removal of metal fittings<br />

The removal of original hardware and fittings<br />

should be avoided wherever possible. Items of<br />

hardware, such as screws or handles, that are<br />

removed to allow conservation should be<br />

labelled and stored so that they can be<br />

returned to their original position. Soft white<br />

foam may be used for this purpose, or a tag<br />

of masking tape that notes the original<br />

position may be attached to the thread.<br />

Techniques for the removal of screws are<br />

discussed in section 10.2.1.<br />

15.3.2 Cleaning<br />

As a general rule, accretions of dirt or grease<br />

are removed before dealing with active corrosion<br />

so they do not interfere with tarnish

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