23.03.2013 Views

Series editors' preface - Wood Tools

Series editors' preface - Wood Tools

Series editors' preface - Wood Tools

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

728 Conservation of Furniture<br />

Aqueous cleaning will remove water-soluble<br />

soils and often improve flexibility. It may raise<br />

post-treatment pH because acidic degradation<br />

materials have been removed. Cleaning bath<br />

additives can enhance control of pH during<br />

washing and the removal of dirt. Weak and<br />

fragile textiles may require support during<br />

cleaning to minimize further damage and fibre<br />

loss. Disadvantages of aqueous cleaning<br />

include the possible presence of dyes that are<br />

fugitive or pH-sensitive, and water-soluble finishes.<br />

There is a danger that aqueous cleaning<br />

will cause distortion (e.g. tent stitched canvas)<br />

or result in the shrinkage of cellulosic materials<br />

in the filling or its covers as they are wetted.<br />

Differential drying may cause ring staining<br />

(e.g. crewel work). Textiles that are not sufficiently<br />

robust to be restretched to their original<br />

dimensions should not be aqueously cleaned.<br />

Solvent cleaning will remove oily or greasy<br />

soiling. Systems that include some detergentbound<br />

water, known as charged systems, may<br />

remove some water-based soils as well. Whilst<br />

small quantities of solvents may be used within<br />

a fume hood, large quantities require the use<br />

of a closed system, though the mechanical<br />

action of some large systems may prevent their<br />

use for conservation treatments. Solvent cleaning<br />

has a tendency to over-dry the textile and<br />

humidification may be needed afterwards. As a<br />

general rule, commercial dry cleaning should<br />

be avoided.<br />

Supports<br />

It may be necessary to introduce a supporting<br />

element in cases where the original upholstery<br />

or any of its elements is no longer strong<br />

enough to support its own weight, or where<br />

webbing is being damaged by tension or pressure<br />

from springs. A support may consist of a<br />

solid element introduced to support the structure<br />

from underneath secured with clips,<br />

hooks, tacks or staples (Figure 16.5a,b).<br />

Weakened textiles or cane may be supported<br />

with patches or fully lined with a textile so that<br />

they are stable enough to support their own<br />

weight and reapplication to the unit under the<br />

required tension.<br />

Compression springs incorporated into an<br />

upholstery structure are compressed and tied<br />

down into position with twine. When the twine<br />

degrades, the compression is released and the<br />

springs can burst through the top or bottom of<br />

the upholstery. In such cases individual springs<br />

may be recompressed using three lengths of<br />

wire, secured at equally spaced points around<br />

the circumference of the spring and around the<br />

upper and lower section of the spring.<br />

Supporting or lining materials need to be<br />

both flexible and strong enough not to be<br />

readily deformed by movement in objects. The<br />

materials used often compromise between<br />

these requirements. Factors that guide the<br />

choice of supporting materials include:<br />

• The support material should not contribute<br />

to the further degradation of an object by<br />

chemical or physical means – for example,<br />

it should not give off acidic vapours or<br />

have markedly different responses to environmental<br />

conditions than the material to be<br />

supported<br />

• The support material should be of appropriate<br />

colour, thickness, lustre, ease of<br />

application, availability and cost<br />

• Textiles should be finish-free or have a finish<br />

that is easily removed and should be<br />

easily dyed, if required, using simple methods<br />

and equipment<br />

• The movement and strength of the support<br />

or lining should be compatible with that of<br />

the object, i.e. strong enough to function well<br />

but not so strong that it might cut through or<br />

damage an aged textile – compatibility<br />

remains an important issue during ageing<br />

• The material should have long-term stability<br />

and good ageing properties<br />

• Additions to the object should be able to be<br />

isolated or easily detected on examination<br />

so as not to devalue the item for analysis as<br />

a historical document<br />

• Choice of a support fabric is important as a<br />

fabric that is too thick or heavy may cause<br />

bulkiness, spoil the line of the furniture or<br />

the frame, or prevent a detachable unit, for<br />

example a slip seat, from fitting back into<br />

the main frame<br />

• Hygroscopic properties are a consideration<br />

in choosing a support fabric. Moisture may<br />

be wicked away from the original materials<br />

by the support fabric so that the support fabric<br />

acts as an environmental buffer.<br />

Conversely, moisture absorption may add<br />

weight to the support fabric. Moisture may<br />

also be attracted from the atmosphere by the<br />

support fabric, transferring it to the object.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!