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Series editors' preface - Wood Tools

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various materials that make up the object<br />

rather than specifically identifying each component.<br />

Characterization seeks to determine,<br />

for example, the appearance, condition, layer<br />

structure, solubility and fluorescence characteristics<br />

of a coating to help uncover the history<br />

of the piece and to determine treatment needs<br />

and options. It is somewhat distinct from the<br />

process of analysis that is used to confirm the<br />

specific identities of particular materials.<br />

9.3.2 What to look for<br />

In general terms there are two kinds of evidence:<br />

evidence from the object itself and<br />

related evidence which comes from the previous<br />

environment, from documentation, from<br />

other members of sets or from related objects.<br />

Evidence from the object itself includes the<br />

materials, construction and condition of the<br />

object and the overall quality and variations in<br />

quality of these things. An essential aspect of<br />

knowing what to look for is to know the kinds<br />

of materials and structures that were used in<br />

furniture at different times and places. It is also<br />

essential to become familiar with the properties<br />

and characteristics of materials and their modes<br />

of deterioration and failure. The more complete<br />

one’s knowledge of the macroscopic and<br />

microscopic features of materials and of their<br />

physical, chemical, optical and other properties<br />

the better one is able to lead an examination<br />

and the better one is able to attach significance<br />

to what is observed. The fact that a certain pattern<br />

of cracks may be observed in a surface<br />

coating may not mean anything by itself. It is<br />

essential that the observer has the knowledge<br />

to interpret the observation.<br />

The most obvious question about furniture<br />

during examination is: what wood is it made<br />

of? However, attention should also be paid to<br />

any metal fixtures, fittings or fastenings, ceramics,<br />

upholstery materials, adhesives, coatings<br />

and other materials that may be present, either<br />

as part of the original structure or as repair<br />

materials. The use of certain materials and certain<br />

processes was developed at certain times<br />

in the past and this may provide a guide to age<br />

and authenticity (Bowman, 1990; Kaye, 1991).<br />

Whether the materials and techniques of construction<br />

(both original construction and signs<br />

of alteration) are consistent with what would<br />

be expected for a piece of the supposed age,<br />

Conservation preliminaries 381<br />

origin or maker are frequently asked questions.<br />

Usually, if a material or technique turns up in<br />

an object at a date earlier than expected it will<br />

throw suspicion on the piece. However, where<br />

supporting evidence for the age of the piece is<br />

irrefutable it may point towards the need for<br />

revision of the chronology for that material or<br />

technique.<br />

The overall shape of the piece, its structure<br />

and evidence of methods of construction may<br />

help to support the authenticity of the object,<br />

add to our knowledge of the type and contribute<br />

to our understanding of how the piece<br />

should be treated in the context of present<br />

condition and desired end use. Hidden elements<br />

of construction may, under appropriate<br />

lighting conditions, be read in the surface<br />

where they ‘telegraph’ their way through to the<br />

surface as undulations revealed in the pattern<br />

of light reflected at the surface. This is particularly<br />

useful for elucidating the structure of<br />

objects which have been veneered or in which<br />

the method of construction is otherwise hidden<br />

by paint or gilding. These patterns may be<br />

revealed even through very slight differences<br />

in thickness that arise through moisture<br />

induced-dimensional change of components<br />

with differing grain orientations.<br />

Various properties of different materials that<br />

vary in some predictable way with time or<br />

which have changed radically at a particular<br />

point in time have been used to determine the<br />

age of materials. The techniques of radio carbon<br />

dating and dendrochronology that can<br />

sometimes be used with wood may be helpful<br />

in resolving its age and are further discussed<br />

below. It should be remembered, however,<br />

with all such techniques that what is being<br />

measured is the age of the material or component.<br />

This does not necessarily confirm the age<br />

for the entire structure. An object made from a<br />

tree that was felled in 1920 cannot have been<br />

made in the seventeenth century but wood<br />

from a tree that was felled in 1620 could have<br />

been used at any subsequent date. Similarly<br />

old screws could have been used in new locations<br />

or those in an old structure replaced with<br />

new ones, although some clues to what has<br />

actually happened usually remain.<br />

The presence of various kinds of marks,<br />

inscriptions and labels can also provide valuable<br />

information about provenance and methods<br />

of construction. Occasionally stamped

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