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Series editors' preface - Wood Tools

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may not be representative of the kinds of surfaces<br />

encountered in decorative paints on furniture.<br />

It is therefore safer to assume that<br />

leaching will be a problem and to choose a<br />

cleaning strategy accordingly, rather than<br />

assuming it is not and potentially causing significant<br />

damage.<br />

Alkaline reagents<br />

Natural resin varnishes become increasingly<br />

acidic in character as they oxidize and age.<br />

Alkaline liquids, such as ammonium hydroxide,<br />

will have some effect on those materials and, in<br />

some cases, will dissolve them. Unfortunately,<br />

many paint binding materials also become<br />

more acidic as they age and become increasingly<br />

susceptible to damage from alkaline<br />

cleaning solutions. The traditional approach<br />

with ammonium hydroxide has been to rely on<br />

its comparatively fast evaporation to limit penetration<br />

and potential damage to an underlying<br />

surface. The most dramatic effects are usually<br />

observed at significantly elevated pH (i.e.<br />

above 8.5), but there is a concomitantly high<br />

risk of damaging the substrate, e.g. by the<br />

saponification of oil paint films or the dissolution<br />

of proteinaceous films. In some cases,<br />

where the pH is buffered, e.g. to 8.5 or less for<br />

oil bound paint, an alkaline solution such as<br />

ammonium hydroxide may cause less swelling<br />

than a solvent-based system.<br />

Aqueous methods<br />

Water has been suggested as a method for<br />

removing varnish from oil paintings (Wolbers<br />

et al., 1990; Wolbers, 2000). The primary<br />

advantage of aqueous varnish removal solutions<br />

is that water is a poor solvent for oilbased<br />

paints. Where varnish is very degraded<br />

(and therefore more polar), the use of an aqueous<br />

solution may have less potential to damage<br />

the paint layer than the use of a very polar<br />

solvent blend. Aqueous cleaning solutions<br />

offer the conservator the potential to manipulate,<br />

monitor and control the parameters of pH,<br />

conductivity, the addition of surfactants or<br />

detergents, the addition of chelators, and viscosity.<br />

It is important to use measured amounts<br />

of these materials and to define safe limits for<br />

their use (Wolbers, 1992). The use of nonvolatile<br />

materials will, however, require a wellformulated<br />

clearance protocol. The disadvantages<br />

of aqueous cleaning include the<br />

Conserving other materials II 749<br />

fact that the formulation of aqueous cleaning<br />

solutions is often more complex than solvent<br />

blends and is not easily undertaken without a<br />

good grasp of the theory and chemistry<br />

involved. The aspect of aqueous cleaning solutions<br />

that has caused most concern is the use<br />

of non-volatile materials, the effectiveness of<br />

clearance procedures, and the ageing characteristics<br />

of any residues that may be left on the<br />

surface. The research that has been undertaken<br />

on the subject of residues varies in quality<br />

(Lang, 1998). It is important that conservators<br />

keep abreast of current research in this specialized<br />

field.<br />

Resin and bile soaps Resin and bile soaps are<br />

aqueous systems developed for the removal of<br />

aged and degraded natural resin varnishes,<br />

usually dammar or mastic, from painted surfaces<br />

(usually nineteenth-century paintings<br />

with an oil–resin binding media) (Wolbers et<br />

al., 1990). Varnish removal relies on the differential<br />

solubility of varnish and paint. As natural<br />

resin varnishes age they become more polar,<br />

and require polar solvents in order to dissolve<br />

them. These polar solvents are more likely to<br />

swell or leach an aged oil paint below, particularly<br />

where an oil–resin binder has been used<br />

for the paint. In contrast, within the time an oil<br />

paint film may be exposed to water during<br />

cleaning, it is unlikely to swell oil-based paint<br />

(Browne, 1954). Water can be used to provide<br />

the necessary polarity for removing degraded<br />

varnish, whilst the addition of a detergent or a<br />

small amount of an aromatic solvent such as<br />

benzyl alcohol can be used to bring non-polar<br />

components of degraded natural resin varnishes<br />

into solution.<br />

Dammar and mastic do not polymerize as<br />

they age, though they do oxidize and become<br />

more polar. This lack of polymerization implies<br />

a low molecular weight and the potential for<br />

detergent micelles to bring moieties into solution.<br />

Oxidized varnish may contain relatively<br />

polar material that may be sparingly soluble in<br />

water, but the bulk of natural resins such as<br />

dammar and mastic is made up of non-polar<br />

molecular groups. Any detergent would aid in<br />

solubilizing such material, but Wolbers based<br />

his selection of certain soaps for solubilizing<br />

aged resin varnishes on the principle of ‘like<br />

dissolves like’. He argued that, at any given<br />

HLB, a close structural similarity of soap and

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