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Series editors' preface - Wood Tools

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396 Conservation of Furniture<br />

Computer tomography is a non-destructive<br />

technique, especially suitable for reading the<br />

growth-ring patterns in softwoods, even when<br />

the wood surface is not exposed. The technique<br />

may prove to be valuable in reading tree<br />

ring patterns of coniferous substrate wood of<br />

painted or veneered furniture.<br />

There are some limitations to dendrochronological<br />

dating in conjunction with furniture.<br />

The method of taking the sample, or preparing<br />

the surface of a board for examination is<br />

destructive. Since furniture mostly is constructed<br />

of smaller elements it will often be difficult,<br />

if not impossible, to find radially cut<br />

elements with a sufficient number of growthrings.<br />

When no sapwood is included in a sample<br />

there can be no certainty about the felling<br />

date of the tree. The interpretation of such<br />

samples should be carried out with the greatest<br />

care and the data should not be confused<br />

with the possible age of the furniture. <strong>Wood</strong><br />

from a three hundred year old tree felled in<br />

1999 could be used to make a copy of a piece<br />

of two hundred year old furniture. It would not<br />

be possible to distinguish the lack of authenticity<br />

of such a piece by dendrochronology<br />

alone. Dendrochronology is mostly applied,<br />

and limited, to medieval and earlier furniture<br />

(Fletcher, 1977; Fletcher et al., 1974; Weaver,<br />

1982). Problems of dating and interpreting<br />

results from archaeological timbers have been<br />

discussed by Hillam (1987).<br />

All aspects of examination such as where<br />

samples were taken, how they were analysed<br />

and what results were obtained should be documented.<br />

9.4 Documentation<br />

This section examines the nature and importance<br />

of documentation, some information<br />

needs of conservators in both private practice<br />

and institutions, some aspects of documentation<br />

practice and what is involved in setting up<br />

a documentation system. The section concludes<br />

with a discussion of photography.<br />

9.4.1 What is documentation and why is<br />

it important?<br />

Documentation in its broadest sense is the<br />

information needed to run a business. It<br />

includes facts about people and organizations,<br />

buildings, finance, objects, goods and services,<br />

transactions and other concerns of management<br />

for businesses large and small and not<br />

just information about conservation treatments<br />

and object condition. This information is<br />

needed for all aspects of managing an enterprise<br />

for planning, assessment, co-ordination,<br />

selection, monitoring, controlling, decisionmaking,<br />

directing, research and publication.<br />

Accountability is increasingly important to<br />

the client, to the tax collector, to the taxpayer<br />

(for the use of resources in publicly funded<br />

institutions), to posterity for actions taken that<br />

may change the qualities by which the significance<br />

or intention of a work is judged and for<br />

health and safety purposes. Most successful<br />

businesses set out objectives and performance<br />

plans and record actual performance against<br />

the plan as a guide to future action that might<br />

be taken to improve business performance.<br />

Conservators in business need to know how<br />

they are performing and how they compare to<br />

other conservation practices. They need to be<br />

aware that their clients will almost certainly be<br />

looking at their performance and it is therefore<br />

very much in the conservator’s interest to keep<br />

tabs on their business.<br />

9.4.2 Information needs<br />

It is fundamental to know what objects are in<br />

our care, where they are and what condition<br />

they are in. Relevant information for conservation<br />

documentation for the practical conservator<br />

working at the bench includes the nature,<br />

extent, severity and location of damage, treatment<br />

options and concept, actual action of<br />

treatment, results of material analyses (if any)<br />

and materials used during treatment. The practical<br />

conservator responsible for the treatment<br />

of an object needs to know something of what<br />

the piece is, how it is uniquely identified, the<br />

work that is to be carried out and any specific<br />

client requirements, the amount of time<br />

allowed for the job and the date by which it<br />

has to be ready. Information discussed in the<br />

previous section may be relevant in coming to<br />

a treatment decision. Actions taken to identify<br />

materials or to assess condition should be<br />

recorded together with reasons, methods,<br />

results and conclusions. As work progresses<br />

the identity and location within the overall

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