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Series editors' preface - Wood Tools

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646 Conservation of Furniture<br />

considered the best brushes to use for applying<br />

clay, although ox hair or even nylon are<br />

cheaper and can work well. Round brushes<br />

are ideal as they hold and distribute the clay<br />

evenly. Flat or round sable brushes may also<br />

be used for applying a coating to the gold.<br />

Sable-ox hair mixtures for larger sizes offer<br />

some economy over pure sable whilst retaining<br />

good working properties. Separate brushes<br />

should be used for water gilding and oil<br />

gilding, as oil residues will prevent adhesion<br />

of water gilt leaf.<br />

14.1.3 Gold and metal leaf<br />

Modern gold leaf is slightly thinner than that<br />

used by the Egyptians or in medieval Europe.<br />

Gold leaf is prepared by casting bars that are<br />

then rolled and annealed. The leaf was hand<br />

beaten to its final thickness. Gold leaf has been<br />

machine beaten to its final thickness since the<br />

late nineteenth century, though traditional<br />

hand beaten gold leaf is still manufactured on<br />

a small scale. Commercial twenty-four carat<br />

gold leaf may vary between 0.3 and 0.8 μm.<br />

Pure gold leaf is available in ‘single’ and<br />

‘double’ weight. There is no industry standard<br />

for the thickness of gold leaf and as a result<br />

the thickness of one manufacturer’s leaf may<br />

be nearly double that of another, but both may<br />

still be named ‘regular’. Gold leaf is available<br />

as loose leaf and transfer leaf. Loose leaf may<br />

be used in water or oil gilding and is applied<br />

with a gilder’s tip, whereas transfer leaf, also<br />

available in rolls, is pressed onto a mordanted<br />

or oil sized surface and cannot be burnished<br />

to a high lustre. Other metals such as copper<br />

or silver may be alloyed with the gold to<br />

produce leaves of differing colour and<br />

hardness (Plate 7 and see Table 5.2). The<br />

presence of alloy metals may cause gold leaf<br />

to oxidize and change colour over time, particularly<br />

in lower carat weight leafs where the<br />

non-gold content is higher. Other types of<br />

metal leaf include silver, white gold, copper,<br />

aluminium, palladium and platinum. Silver,<br />

platinum and palladium leaf are slightly thicker<br />

than gold leaf. Schlag leaf, also known as<br />

Dutch metal, is a thick leaf alloyed from<br />

copper and zinc with a marked tendency to<br />

tarnish if it is left uncoated. Aluminium, copper<br />

and schlag, used only in oil gilding, require<br />

slightly different handling techniques, which<br />

are outlined by MacTaggart and MacTaggart<br />

(1984). Lewis (1763–5) describes the process<br />

used to manufacture gold leaf in the eighteenth<br />

century whilst MacTaggart and MacTaggart<br />

(1984) outline the modern process.<br />

Any excess pieces of gold that are too small<br />

to be used on the piece, or are brushed from<br />

the surface after gilding is complete, are called<br />

skewings. They may be collected separately<br />

according to the colour of the leaf and used<br />

to make gold powder, which is expensive and<br />

may be difficult to obtain from commercial<br />

suppliers. When a sufficient quantity of<br />

skewings have been collected they are mixed<br />

with a small amount of honey and ground into<br />

a powder using a mortar and pestle or a slab<br />

and muller (Cennini, trans. Thompson, 1954).<br />

Although the process should take only 10 or<br />

15 minutes, the longer the skewings are<br />

ground, the finer the resulting gold powder<br />

will be. Very fine powder will appear slightly<br />

dull whereas very large particles will tend to<br />

clump together in use. The gold powder may<br />

be separated from the honey by placing the<br />

honey and gold mixture into a container and<br />

covering it with hot water. When the gold has<br />

settled to the bottom the water may be poured<br />

off. This process may be repeated five times,<br />

the last two rinses with deionized water. If<br />

making powdered gold, most of the last rinse<br />

water may be poured away and the remainder<br />

left to evaporate. The powder may be<br />

made into a gold paint, also known as shell<br />

gold, by the addition of a drop of concentrated<br />

gum arabic when most of the water has<br />

evaporated (MacTaggart and MacTaggart,<br />

1984). Shell gold and powdered gold are<br />

painted on with a brush or rubbed onto the<br />

surface with a finger. Shell gold, in gum<br />

arabic, requires only the humidity of a breath<br />

to reactivate the medium, whilst powdered<br />

gold requires the application of a layer of size<br />

or mordant. Shell and powdered gold are<br />

mostly used for letter-writing, drawing small<br />

designs, repairs to small abrasions or may be<br />

used in deeply carved recesses that would be<br />

inaccessible to gold leaf.<br />

14.1.4 Surface preparation<br />

A surface that is to be gilded should be clean,<br />

stable and free from defects. In the case of<br />

water gilding on wood, it is critical that the

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