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Series editors' preface - Wood Tools

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(a)<br />

(b)<br />

Figure 10.21 Marking out dowel joints. Although only<br />

one joint is illustrated, it is usual to use a minimum of<br />

two dowels to prevent movement in the joint<br />

(a) Proprietary dowel pins. A hole is bored into one<br />

part of the joint, the dowel pin inserted. The second<br />

component is aligned and tapped lightly against the<br />

dowel pin. (b) The head of a metal pin used to mark<br />

both sides of a dowel joint simultaneously. A small dot<br />

of paint can be used in the same way<br />

together so that each is marked (Figure 10.21).<br />

Small dots of paint, e.g. a red acrylic emulsion,<br />

may be used in a similar way. Alternatively, a<br />

fine pin may be tapped a few millimetres into<br />

one component, the end nipped off leaving<br />

about 3 mm of the pin protruding. The second<br />

component is then aligned with the first, and<br />

tapped lightly against the protruding pin.<br />

<strong>Wood</strong> repairs let into the surface of wood<br />

usually rely solely on the adhesive bond.<br />

Selecting wood for repair has been outlined<br />

earlier in this chapter but the minimum<br />

requirement is that the piece used for repair<br />

should match the orientation of the original<br />

(i.e. transverse, radial), its appearance and<br />

reflective properties. In the case of a small or<br />

irregular loss that requires a new piece to be<br />

laid into the surface, acetate may be used to<br />

trace off the outline of the damage, which is<br />

then transferred to the surface of the wood to<br />

be used for the repair. Depending on the situation,<br />

the repair may be matched to the<br />

Principles of conserving and repairing wooden furniture 469<br />

damage or made slightly oversize. In either<br />

case it is planed flat on the underside though<br />

it may be thicker than required and levelled<br />

after the repair has been glued into place. The<br />

shape of the repair piece may need to balance<br />

the best aesthetic integration with minimal loss<br />

of original material.<br />

The traditional way of approaching this type<br />

of repair was to cut the repair piece so that it<br />

was slightly oversize. It was then laid over the<br />

area of damage and the outline marked onto<br />

the surface using a fine marking knife or<br />

scalpel. Unwanted material was pared away<br />

from the original. The scored line provided an<br />

exact position for the last stroke of the chisel.<br />

It is important that the area below the repair is<br />

absolutely level and a power or traditional hand<br />

router was often used for this purpose. Angles<br />

on the repair piece were compatible with the<br />

available tools – excessively acute angles are<br />

very difficult to level. The repair was then glued<br />

into place and levelled flush with the surrounding<br />

surface without damaging or removing adjacent<br />

original surface finish or wood. Although<br />

this method provides an excellent fit for a<br />

wood-in-wood repair, it is possible that future<br />

repairs to the same area can extend the loss of<br />

original material. Alternatives include the use of<br />

fills, or building up the edge of a loss with a<br />

carvable epoxy, to allow the patch to be let in<br />

without removing original material. Materials<br />

that may be suitable for non-structural repairs<br />

to wood are discussed in section 12.3.1. The<br />

range of materials used in the past has been<br />

reviewed by Thornton (1998a).<br />

Mechanical wear caused by the action of<br />

moving furniture parts can be treated if necessary.<br />

The primary criterion for conservation is<br />

whether the object is stable and whether<br />

further damage will occur as a result of leaving<br />

it untreated. In the past drawer runners have<br />

been turned around or replaced in objects that<br />

were still in use. An alternative is to replace<br />

worn areas of runners and drawer sides with<br />

fresh wood, keeping as much of the original as<br />

possible. In contrast to domestic furniture, that<br />

in museum collections is not usually in use and<br />

this type of wear may remain untreated. Other<br />

mechanical parts, such as poorly fitting doors,<br />

may cause further wear or damage and therefore<br />

require treatment. When a door on a pivot<br />

hinge is worn out, for example, a washer may<br />

be sufficient to lift the door up.

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