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Series editors' preface - Wood Tools

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and capture a high degree of detail. Waxes<br />

release well from oiled surfaces, wet water clay<br />

and thoroughly soaked gypsum plaster. If a<br />

plaster mould is to be used for a wax cast, it is<br />

best soaked in hot water before application of<br />

wax. The water will act as a release agent and<br />

heat will eliminate chill wrinkles. Waxes, especially<br />

microcrystalline types, are chemically<br />

inert but cannot be used in liquid form against<br />

temperature sensitive surfaces. Slight to moderate<br />

shrinkage occurs upon cooling.<br />

Permanence is very good if stored below softening<br />

temperatures and cost is moderate. They<br />

present few health hazards but melting waxes<br />

do pose a potential fire hazard.<br />

Water clays are another ancient category of<br />

inexpensive moulding and casting materials.<br />

They are useful in modelling patterns and in<br />

taking quick squeeze impression moulds from<br />

patterns. They become progressively firmer as<br />

water is lost, which may be desirable when<br />

refining models to a high degree. The shrinkage<br />

of roughly 10–20% on drying can be<br />

exploited to scale down a model in size. Dried<br />

green clay is very fragile and water-soluble but<br />

otherwise inert. Clays cannot be used against<br />

water-sensitive surfaces but when thoroughly<br />

dry they will tolerate high temperatures, so<br />

molten metals and polymers can be poured<br />

against them. Health hazards resulting from<br />

breathing of clay and glaze dusts and breathing<br />

or ingestion of toxic metals in glazes have<br />

been reported but these problems are unlikely<br />

to be encountered in small-scale moulding and<br />

casting.<br />

Non-hardening clays, also known as plastilene<br />

and Plasticene, have been mixed with oils,<br />

waxes and other non-drying materials to keep<br />

them permanently pliable. They are used in the<br />

same way as water clays for modelling patterns<br />

and taking impressions, but they do not dry or<br />

shrink. Various firmness grades are available<br />

and firmer clays should be chosen for more<br />

detailed work. These clays can be made softer<br />

or harder by manipulation of temperature.<br />

Some of them contain sulphur, which will<br />

interact with metal objects and inhibit the cure<br />

of silicone rubber, but sulphur-free varieties<br />

are also available. Oils present in these clays<br />

may stain porous objects. Though they have<br />

poor permanence, there are generally no<br />

known health risks associated with these materials.<br />

Cost is low to moderate.<br />

Principles of conserving and repairing wooden furniture 485<br />

Alginates are polysaccharides extracted from<br />

various species of marine algae (seaweed).<br />

They form hydro-colloidal gels in water that<br />

are similar to those formed by animal glues.<br />

Agar-agar is one such alginate and is also<br />

sometimes called ‘Japanese isinglass’. Alginates<br />

have been used in moulding since about the<br />

mid-twentieth century, particularly in the<br />

formulation of dental moulding compounds.<br />

Most alginates are available as powders that gel<br />

rapidly when mixed with water. Agar is<br />

normally dissolved in hot water and allowed to<br />

cool and gel. It can then be reheated and will<br />

liquefy at around 42 °C. It is the principal<br />

ingredient in ‘moulages’, which are used to<br />

mould human flesh, because of its low gelling<br />

temperature. Alginates may be difficult to use<br />

because of rapid gelling and associated air<br />

bubbles and wrinkles. Alginate gels have a<br />

high water content and cannot be used against<br />

water-sensitive materials. Only plaster and low<br />

melting temperature waxes can be cast in<br />

alginate moulds. Dimensions do not change on<br />

gelling but alginate moulds shrink and warp<br />

radically as they dry. Alginate moulds must<br />

therefore be used immediately and cannot be<br />

kept for any length of time. They do not retain<br />

detail well and are not suited for multiple castings.<br />

Alginates are non toxic and their cost is<br />

moderate.<br />

Animal/hide glues and gelatines were the<br />

first materials used to produce flexible moulds<br />

that could be stretched and released from<br />

undercuts. They were used for this purpose in<br />

the nineteenth and early twentieth centuries<br />

until largely replaced by synthetic elastomers.<br />

The properties of concentrated viscous glue<br />

solutions could be manipulated by the additions<br />

of materials such as glycerine to retard<br />

drying/shrinkage and sugar to plasticize the<br />

mixture. Glue moulds were poured at roughly<br />

body temperature. They cooled rapidly<br />

(depending on volume) and were prone to<br />

form chill wrinkles unless poured very<br />

smoothly. Glue moulds do not shrink appreciably<br />

upon gelling but do so as they dry out.<br />

They cannot be used in contact with water<br />

sensitive surfaces but are non-toxic and safe in<br />

all respects. Gelatine moulds were normally<br />

surface hardened with alum, formaldehyde<br />

(formalin) or tannic acid to prolong their usefulness<br />

that in any case was rather short due to<br />

surface blurring, contraction and distortion as

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