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Series editors' preface - Wood Tools

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Table 6.1 UV Component of various light<br />

sources<br />

Light source UV (micro watts per<br />

lumen)<br />

Blue sky @ 15 000 °K 1600<br />

Cloudy overcast sky (north light) 800<br />

Direct sun 400<br />

Fluorescent lamps 40–250<br />

Tungsten halogen (iodine) up to 130<br />

Normal tungsten 60–80<br />

atmosphere. This still leaves potentially<br />

damaging radiation in the waveband<br />

300–400 nm and this must be removed by a<br />

filter. Ordinary window glass absorbs only the<br />

shorter wavelengths of UV and is transparent<br />

to UV in the region 300–400 nm. However,<br />

certain chemicals, such as the substituted<br />

benzophenones, have the property of being<br />

able to absorb almost all of the UV without<br />

absorbing visible light. Such materials can be<br />

added to a varnish or a transparent plastic<br />

sheet or film to make an effective UV filter.<br />

With currently available technology, it is possible<br />

to reduce UV levels to the threshold of<br />

measurement and this should be the goal. UV<br />

filters must be placed between the light source<br />

and the object illuminated. Complete protection<br />

can be provided by placing filters over<br />

windows, skylights and light fittings as necessary.<br />

Filters can also be used in display cases<br />

and in the glazing of pictures. However as<br />

increasing amounts of blue light are removed<br />

by the UV absorber, films appear increasingly<br />

yellow. This can be overcome by slightly<br />

reducing the strength of the UV absorber to<br />

the point where a colourless material is<br />

obtained or by adding a complementary dye<br />

or pigment to the film to produce a neutral<br />

grey. A yellow cast will usually only be noticeable<br />

if the plastic material is close to an exhibit<br />

and not if a whole room is so treated. Where<br />

possible, it is in any case better in principle<br />

to remove UV at source rather than on an item<br />

by item basis.<br />

The choice of UV filter varnish or sheet is<br />

influenced by cost and fitting considerations.<br />

Sheet can be invisible if it is behind diffusing<br />

glass but may be too apparent behind plain<br />

glass. Varnish may show if applied by brush<br />

or spray but can be applied by special flow<br />

techniques to make it practically invisible. It is<br />

General review of environment and deterioration 249<br />

also cheaper though less durable than sheet.<br />

These materials are more liable to scratching<br />

than glass and are also liable to attract an<br />

electrostatic charge which will result in the<br />

accumulation of dust. An antistatic coating is<br />

required to reduce this effect.<br />

Most UV filters may be expected to last<br />

about ten years but their effectiveness should<br />

be checked from time to time using a UV<br />

meter. They can conveniently be replaced<br />

during redecoration of rooms. Under conditions<br />

of very strong sunlight the filter may<br />

degrade in an uneconomically short time.<br />

Under these conditions, it may be possible to<br />

arrange that all light reaching a sensitive object<br />

has been reflected at least once from a wall<br />

which has been coated with a white pigment<br />

having a high absorption in the UV range.<br />

Titanium dioxide and zinc oxide are both<br />

suitable for this purpose.<br />

Most fluorescent tubes are coated on the<br />

inside with a material which absorbs some of<br />

the UV and re-emits radiation of a longer<br />

wavelength. However, most fluorescent lamps<br />

still emit levels of UV that require filtration.<br />

Quartz halogen lamps (e.g. tungsten iodide)<br />

have a quartz envelope which is transparent<br />

to UV and take advantage of higher operating<br />

temperatures than ordinary tungsten lamps to<br />

obtain more light per watt of electricity<br />

consumed. The small but powerful amount of<br />

short wave radiation emitted by these lamps<br />

makes filtration a necessity.<br />

Control of visible radiation All objects, unless<br />

known to be insensitive to UV radiation,<br />

should be protected in the ways outlined<br />

above. In considering control of visible radiation,<br />

it is necessary to find levels of illumination<br />

which will be satisfactory for both<br />

conservation and display purposes. A certain<br />

amount of damage will be caused by the very<br />

act of display and yet it will not be worthwhile<br />

to exhibit an object at all unless an<br />

adequate level of detail can be perceived by<br />

the viewer. Just where this level of detail<br />

should be fixed is a matter of judgement<br />

taking into account the form and surface qualities<br />

and susceptibility to light of different<br />

objects. Therefore, when an object is not being<br />

viewed there is no need to illuminate it.<br />

Objects should be illuminated only when it is<br />

necessary for display or study and the illumin-

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