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Series editors' preface - Wood Tools

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684 Conservation of Furniture<br />

handles on carcase furniture. Furniture that<br />

survives with its original hardware intact<br />

usually has increased historical and monetary<br />

value. Metal components replaced during a<br />

conservation treatment should be given a<br />

durable unobtrusive mark, such as stamping or<br />

engraving, to indicate their non-original<br />

nature. Such marking should include dating<br />

where possible (Figure 15.6).<br />

Some small firms offer a casting service and<br />

use an original fitting as a pattern from which<br />

a replacement is cast. Since metals shrink<br />

slightly on cooling, the replacement will be<br />

slightly smaller than the original. In other<br />

cases it may be possible to purchase a replacement<br />

from specialist suppliers but as a general<br />

rule these require some finishing by the<br />

conservator before they are fixed to the object.<br />

This may involve, for example, the addition of<br />

a bevel to the backplate of a drawer handle<br />

or polishing the surface, having first closely<br />

inspected such details on the original fittings.<br />

Electrotypes can be made from existing<br />

elements by electrically depositing metal into<br />

a mould made from an existing element. This<br />

technique produces a metal copy without any<br />

shrinkage, which can be bent, soldered etc.,<br />

and is faithful to the original in all details.<br />

Copper electrotyping is easy and safe in a<br />

small lab setting.<br />

There are a wide variety of colours and<br />

effects that may be used in the patination of<br />

metal replacements. The one proviso in regard<br />

to patination is that conservators should be<br />

wary of conjectural restoration where no original<br />

exists. Conservators are encouraged to<br />

consult specialist texts (Hughes and Rowe,<br />

1982), restoration manuals (Bennett, 1990;<br />

Rodd, 1976) historical treatises (e.g. Smith,<br />

1810; Spons Workshop Receipts, 1873 etc.) and<br />

sources in related disciplines such as engineering<br />

and horological manuals. It should be<br />

borne in mind that chemically patinated metal<br />

may need to be thoroughly rinsed and dried<br />

to remove residues that might otherwise catalyse<br />

corrosion. Toning using dyes and transparent<br />

coatings is also often effective.<br />

In some cases it may be sufficient, if time<br />

allows, to thoroughly clean the surface and<br />

then leave the metal to slowly oxidize.<br />

Proprietary patinating mixtures such as ‘gun<br />

blue’ have been used for arms and armour.<br />

Brass has been toned using a wide variety of<br />

materials including proprietary products such<br />

as the Armatone range, copper nitrate and<br />

spirit stains in shellac. A simple method of<br />

removing the high shine from new brass is to<br />

simmer the part in deionized water. The oxidation<br />

layer thus formed will be even and stable.<br />

In some cases replacements may be cast<br />

using the materials described in section 10.5.<br />

Polyester resin or epoxy resin may be<br />

coloured using metal powders. The metallic<br />

effect is particularly convincing if these are<br />

dusted into a rubber mould prior to pouring<br />

the resin. In addition to these materials, it may<br />

be possible to cast a replacement using low<br />

melt (‘white’) metals such as tin/lead alloys or<br />

pewter.<br />

Epoxies and polyesters are often chosen for<br />

filling large losses in metal objects. They may<br />

be cast separately and adhered into place, or<br />

cast in place using techniques borrowed from<br />

glass conservation. Epoxies should be isolated<br />

from direct contact with the metal (see section<br />

15.3.5). Glass fibre cloth or randomly oriented<br />

glass fibre ‘mat’ may be used to reinforce fills,<br />

or used to support fills as they are modelled in<br />

place. Epoxies bulked with microballoons are<br />

very useful because the density and weight may<br />

be more sympathetic to damaged, corroded and<br />

weak metal, and they are more easily carved,<br />

filed and manipulated after curing. Denser<br />

epoxy putties such as Pliacre (grey) and<br />

Milliput (white) may be useful in some<br />

instances, and can be made less dense by the<br />

addition of microballoons by the conservator.<br />

15.3.7 Application of coatings after<br />

conservation<br />

There has been some debate in the field of<br />

metal conservation about the appropriateness<br />

of lacquering. Some metals or types of object<br />

have traditionally been lacquered whilst others<br />

were not. Some metals surfaces are not<br />

suitable for coating, e.g. blued steel and other<br />

patinated finishes. Consideration should also<br />

be given to ease of future removal.<br />

Small amounts of water, ions, pollution and<br />

oxygen that penetrate a coating applied to<br />

metal may cause corrosion to occur at a<br />

similar rate to bare metal. The protection<br />

offered by a coating is dependent on several<br />

factors, including physical and chemical<br />

properties and resistance to the permeation of

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