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Series editors' preface - Wood Tools

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774 Conservation of Furniture<br />

between layers of gesso and internal adhesive<br />

failure (Von Reventlow, 1991). Delamination<br />

from the substrate can be localized and take the<br />

form of bulges or blisters or may be more widespread,<br />

in which case it can be detected by<br />

tapping the surface. A well-adhered surface will<br />

sound dull when tapped lightly whereas loose<br />

gesso will produce a more resonant and<br />

sharper sound with a slightly higher pitch.<br />

Adhesive failure between substrate and gesso<br />

that results in delamination may be a result of<br />

substrate shrinkage, stress around localized<br />

faults such as knots, or weak or uneven size<br />

application. Delamination between layers of<br />

gesso can be caused by the use of a strong size<br />

over a weak size or by overgilding in a previous<br />

restoration. Internal adhesive failure, which<br />

results in a friable powdery gesso, may be<br />

caused by the use of a weak glue size or long<br />

exposure to excessive high humidity, sometimes<br />

in combination with fungal attack. This<br />

last is usually a difficult and time-consuming<br />

problem to address and in some cases consolidation<br />

may prove impossible. Consolidant may<br />

be delivered through facing tissue if a surface<br />

is very flaky or unstable and this technique is<br />

described on p. 574 and in Figure 12.4.<br />

As is the case with other decorative surfaces,<br />

a decision must be made about whether to use<br />

traditional or modern materials for consolidation.<br />

This issue is discussed in section 12.2.4 in<br />

the general context of decorative surfaces.<br />

Opinions on the subject are divided and the<br />

conservator should consider the long-term<br />

needs of the object within an ethical framework.<br />

Whether a traditional or modern adhesive<br />

is used, when carrying out localized<br />

treatment such as laying flakes or cupped<br />

areas, it is important to avoid leaving excess<br />

adhesive on the surface. A heated spatula can<br />

be used in conjunction with traditional and<br />

many modern adhesives.<br />

Consolidation of gesso layers on shaped<br />

areas such as intricate carving may require the<br />

use of a collagen consolidant that will gel and<br />

may remove the need for the lengthy application<br />

of pressure to the surface. Alternatives<br />

such as flexible cauls, or the use of cling<br />

film/Saran wrap can allow the use of consolidants<br />

with a longer drying time. The use of low<br />

vacuum pressure can be appropriate for treating<br />

large areas of friable gilding. Water-based<br />

adhesives will soften the gesso and may allow<br />

flakes to be gently repositioned and flattened.<br />

A small amount of alcohol, which acts as a surfactant,<br />

can be added to the size to aid penetration<br />

of the gesso. Powdery, friable gesso,<br />

however, can become an amorphous slurry<br />

and if this occurs the need for a non-aqueous<br />

consolidant is indicated. If applying a waterbased<br />

consolidant to a water-gilded surface, it<br />

may be necessary to protect the surface by<br />

applying a temporary hydrocarbon-soluble<br />

protective coating (see section 12.4.7). Such<br />

coatings can be tinted with pigment to identify<br />

where they have been used and ensure their<br />

removal after treatment is complete.<br />

Rabbit skin glue or gelatin, when used as a<br />

consolidant for gilding, should always be<br />

weaker than that used for preparation of gesso.<br />

A solution of one part dry glue granules to<br />

twenty parts water (5% v/v) may provide a reasonable<br />

margin of safety. Paraloid B72, PVAC<br />

and acrylic dispersions or emulsions can also<br />

be used as consolidants for gesso. The primary<br />

issue with these materials is retreatability, since<br />

removal of a consolidant from a porous surface<br />

is rarely practicable. Some conservators have<br />

expressed concern that the use of such materials<br />

may inhibit the future penetration of aqueous<br />

consolidants and Thornton (1991b) alludes<br />

to this problem when discussing the use of isolating<br />

layers. The use of Aquazol, poly(2-ethyl-<br />

2-oxazoline) as a consolidant for gilded<br />

surfaces has been examined by Friend (1996),<br />

Shelton (1996) and Wolbers et al. (1998). The<br />

use of wax-based materials for the consolidation<br />

of porous gesso surfaces is not recommended<br />

because they cannot be completely<br />

removed and can inhibit or prevent the future<br />

use of most other consolidants.<br />

16.9.7 Reintegration<br />

The material selected to replace losses to the<br />

wooden substrate will depend on the size and<br />

position of the damage. <strong>Wood</strong> may be the<br />

material of choice where repairs must be<br />

weight-bearing or where the loss has occurred<br />

on an edge and wood movement related to<br />

fluctuations in relative humidity will not add to<br />

the instability of the surface. Hanlon (1992)<br />

utilized a carvable epoxy resin (Araldite 1253),<br />

isolated from the original wood with animal<br />

glue, to fill losses from a wooden substrate<br />

(Figure 16.28).

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